Voir l’espace et dire le temps : le grand écart du discours esthétique victorien

Victorian painting was characterized by its narrativity, which attracted the public’s enthusiasm, but also the critics’ wrath or praise. While Henry James was offended by the “historicizing” reading of art works, John Ruskin usually wanted to find what came before and after the scene represented by...

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Main Author: Laurent Bury
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2011-12-01
Series:Sillages Critiques
Subjects:
Online Access:http://journals.openedition.org/sillagescritiques/2200
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author Laurent Bury
author_facet Laurent Bury
author_sort Laurent Bury
collection DOAJ
description Victorian painting was characterized by its narrativity, which attracted the public’s enthusiasm, but also the critics’ wrath or praise. While Henry James was offended by the “historicizing” reading of art works, John Ruskin usually wanted to find what came before and after the scene represented by the artist. Many Victorian painters thus tried to reconcile those two apparently incompatible dimensions of time and space, through all sorts of devices, juxtaposing canvases in order to create a more or less chronological series, resorting to polyptichs, adding titles which suggested a more literary apprehension of their work, etc. And Victorian critics also tried to straddle the gap between the spatial action of looking at a painting and the temporal reaction of understanding its meaning.
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spelling doaj.art-3b11ac069a6c4b23b6cc5c3e2c6b714d2022-12-21T19:56:14ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022011-12-0112Voir l’espace et dire le temps : le grand écart du discours esthétique victorienLaurent BuryVictorian painting was characterized by its narrativity, which attracted the public’s enthusiasm, but also the critics’ wrath or praise. While Henry James was offended by the “historicizing” reading of art works, John Ruskin usually wanted to find what came before and after the scene represented by the artist. Many Victorian painters thus tried to reconcile those two apparently incompatible dimensions of time and space, through all sorts of devices, juxtaposing canvases in order to create a more or less chronological series, resorting to polyptichs, adding titles which suggested a more literary apprehension of their work, etc. And Victorian critics also tried to straddle the gap between the spatial action of looking at a painting and the temporal reaction of understanding its meaning.http://journals.openedition.org/sillagescritiques/2200narrative paintingpainting and literaturespacetimeVictorianart criticism
spellingShingle Laurent Bury
Voir l’espace et dire le temps : le grand écart du discours esthétique victorien
Sillages Critiques
narrative painting
painting and literature
space
time
Victorian
art criticism
title Voir l’espace et dire le temps : le grand écart du discours esthétique victorien
title_full Voir l’espace et dire le temps : le grand écart du discours esthétique victorien
title_fullStr Voir l’espace et dire le temps : le grand écart du discours esthétique victorien
title_full_unstemmed Voir l’espace et dire le temps : le grand écart du discours esthétique victorien
title_short Voir l’espace et dire le temps : le grand écart du discours esthétique victorien
title_sort voir l espace et dire le temps le grand ecart du discours esthetique victorien
topic narrative painting
painting and literature
space
time
Victorian
art criticism
url http://journals.openedition.org/sillagescritiques/2200
work_keys_str_mv AT laurentbury voirlespaceetdireletempslegrandecartdudiscoursesthetiquevictorien