Diversité des regards dans l’imagerie attique : Capturer du regard, pour un logos visuel (viiie-ve av. J.-C.)
As early as the beginning of the VI c. B.C., the Athenian painters concerned themselves with the intensive representation of the look of the characters, thus creating an interplay of intra-and extra-iconic relationships. The eye grows more and more expressive, in particular when the painters forsake...
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| Format: | Article |
| Language: | fra |
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Presses universitaires du Midi
2013-04-01
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| Series: | Pallas |
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| Online Access: | http://journals.openedition.org/pallas/83 |
| Summary: | As early as the beginning of the VI c. B.C., the Athenian painters concerned themselves with the intensive representation of the look of the characters, thus creating an interplay of intra-and extra-iconic relationships. The eye grows more and more expressive, in particular when the painters forsake the conventional face eye in a face in profile, for a profile eye, supposing a real visual exchange. From now on, the looks converge or avoid one another in an occasionally dramatic intensity. This visual mastery that can be dated from the beginning of the “free” style manages to provide the onlookers with images fraught with emotion and tension in which the expression of feelings can henceforth fully express itself. From then on the lines of the looks structure the scenes and constitute a real visual logos. |
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| ISSN: | 0031-0387 2272-7639 |