Diversité des regards dans l’imagerie attique : Capturer du regard, pour un logos visuel (viiie-ve av. J.-C.)

As early as the beginning of the VI c. B.C., the Athenian painters concerned themselves with the intensive representation of the look of the characters, thus creating an interplay of intra-and extra-iconic relationships. The eye grows more and more expressive, in particular when the painters forsake...

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Main Author: Pascale Jacquet-Rimassa
Format: Article
Language:fra
Published: Presses universitaires du Midi 2013-04-01
Series:Pallas
Subjects:
Online Access:http://journals.openedition.org/pallas/83
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author Pascale Jacquet-Rimassa
author_facet Pascale Jacquet-Rimassa
author_sort Pascale Jacquet-Rimassa
collection DOAJ
description As early as the beginning of the VI c. B.C., the Athenian painters concerned themselves with the intensive representation of the look of the characters, thus creating an interplay of intra-and extra-iconic relationships. The eye grows more and more expressive, in particular when the painters forsake the conventional face eye in a face in profile, for a profile eye, supposing a real visual exchange. From now on, the looks converge or avoid one another in an occasionally dramatic intensity. This visual mastery that can be dated from the beginning of the “free” style manages to provide the onlookers with images fraught with emotion and tension in which the expression of feelings can henceforth fully express itself. From then on the lines of the looks structure the scenes and constitute a real visual logos.
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spelling doaj.art-3b2fa4a81d374f45914b8c0106005df82023-02-09T16:29:49ZfraPresses universitaires du MidiPallas0031-03872272-76392013-04-0192294210.4000/pallas.83Diversité des regards dans l’imagerie attique : Capturer du regard, pour un logos visuel (viiie-ve av. J.-C.)Pascale Jacquet-RimassaAs early as the beginning of the VI c. B.C., the Athenian painters concerned themselves with the intensive representation of the look of the characters, thus creating an interplay of intra-and extra-iconic relationships. The eye grows more and more expressive, in particular when the painters forsake the conventional face eye in a face in profile, for a profile eye, supposing a real visual exchange. From now on, the looks converge or avoid one another in an occasionally dramatic intensity. This visual mastery that can be dated from the beginning of the “free” style manages to provide the onlookers with images fraught with emotion and tension in which the expression of feelings can henceforth fully express itself. From then on the lines of the looks structure the scenes and constitute a real visual logos.http://journals.openedition.org/pallas/83attic ceramicseyelookexpressivenessfeeling
spellingShingle Pascale Jacquet-Rimassa
Diversité des regards dans l’imagerie attique : Capturer du regard, pour un logos visuel (viiie-ve av. J.-C.)
Pallas
attic ceramics
eye
look
expressiveness
feeling
title Diversité des regards dans l’imagerie attique : Capturer du regard, pour un logos visuel (viiie-ve av. J.-C.)
title_full Diversité des regards dans l’imagerie attique : Capturer du regard, pour un logos visuel (viiie-ve av. J.-C.)
title_fullStr Diversité des regards dans l’imagerie attique : Capturer du regard, pour un logos visuel (viiie-ve av. J.-C.)
title_full_unstemmed Diversité des regards dans l’imagerie attique : Capturer du regard, pour un logos visuel (viiie-ve av. J.-C.)
title_short Diversité des regards dans l’imagerie attique : Capturer du regard, pour un logos visuel (viiie-ve av. J.-C.)
title_sort diversite des regards dans l imagerie attique capturer du regard pour un logos visuel viiie ve av j c
topic attic ceramics
eye
look
expressiveness
feeling
url http://journals.openedition.org/pallas/83
work_keys_str_mv AT pascalejacquetrimassa diversitedesregardsdanslimagerieattiquecapturerduregardpourunlogosvisuelviiieveavjc