Bards, Ballads, and Barbarians in Jena. Germanic Medievalism in the Early Works of Friedrich Schlegel

The early German romantics were highly interested in medieval literature, primarily poetry written in romance vernaculars such as Dante’s Inferno. Only later did the German romantics turn to northern medieval literature for inspiration. In the case of German romantic Friedrich Schlege...

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Main Author: Andreas Hjort Møller
Format: Article
Language:English
Published: Vandenhoeck & Ruprecht GmbH & Co. KG 2018-12-01
Series:Romantik
Subjects:
Online Access:https://vr-elibrary.de/doi/10.14220/jsor.2019.8.1.13
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author Andreas Hjort Møller
author_facet Andreas Hjort Møller
author_sort Andreas Hjort Møller
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description The early German romantics were highly interested in medieval literature, primarily poetry written in romance vernaculars such as Dante’s Inferno. Only later did the German romantics turn to northern medieval literature for inspiration. In the case of German romantic Friedrich Schlegel (1772–1829), the usual opinion is that he would not have cared for northern (primarily Scandinavian) medieval literature and art before his late phase, beginning around 1802. In this phase, his literary criticism stood under the sway of his conservative politics. This article examines the reception of Germanic medieval literature in Schlegel’s early essays, reviews and fragments, in order to discuss the role of Germanic medieval literature in his work and the extent to which it is connected with his poetics and politics.
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spelling doaj.art-3b71defe0464456491901c835e0017d52022-12-22T02:41:57ZengVandenhoeck & Ruprecht GmbH & Co. KGRomantik2245-599X2246-29452018-12-0181133410.14220/jsor.2019.8.1.13Bards, Ballads, and Barbarians in Jena. Germanic Medievalism in the Early Works of Friedrich SchlegelAndreas Hjort Møller0School of Communication and Culture – Comparative LiteratureThe early German romantics were highly interested in medieval literature, primarily poetry written in romance vernaculars such as Dante’s Inferno. Only later did the German romantics turn to northern medieval literature for inspiration. In the case of German romantic Friedrich Schlegel (1772–1829), the usual opinion is that he would not have cared for northern (primarily Scandinavian) medieval literature and art before his late phase, beginning around 1802. In this phase, his literary criticism stood under the sway of his conservative politics. This article examines the reception of Germanic medieval literature in Schlegel’s early essays, reviews and fragments, in order to discuss the role of Germanic medieval literature in his work and the extent to which it is connected with his poetics and politics.https://vr-elibrary.de/doi/10.14220/jsor.2019.8.1.13friedrich schlegelmedievalismromanticismgermanic and romance medieval literatureantiquarianism
spellingShingle Andreas Hjort Møller
Bards, Ballads, and Barbarians in Jena. Germanic Medievalism in the Early Works of Friedrich Schlegel
Romantik
friedrich schlegel
medievalism
romanticism
germanic and romance medieval literature
antiquarianism
title Bards, Ballads, and Barbarians in Jena. Germanic Medievalism in the Early Works of Friedrich Schlegel
title_full Bards, Ballads, and Barbarians in Jena. Germanic Medievalism in the Early Works of Friedrich Schlegel
title_fullStr Bards, Ballads, and Barbarians in Jena. Germanic Medievalism in the Early Works of Friedrich Schlegel
title_full_unstemmed Bards, Ballads, and Barbarians in Jena. Germanic Medievalism in the Early Works of Friedrich Schlegel
title_short Bards, Ballads, and Barbarians in Jena. Germanic Medievalism in the Early Works of Friedrich Schlegel
title_sort bards ballads and barbarians in jena germanic medievalism in the early works of friedrich schlegel
topic friedrich schlegel
medievalism
romanticism
germanic and romance medieval literature
antiquarianism
url https://vr-elibrary.de/doi/10.14220/jsor.2019.8.1.13
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