Un panthéon martyrial censuré par Isabelle II : enquête sur l’estampe « Víctimas de la causa popular »

As early as 1820, the liberals developed a martyrdom pantheon that provided their movement with heroic referents capable of embodying the values they defended, but also of stimulating the political commitment of their compatriots. Particularly innovative, the lithograph « Víctimas de la causa popula...

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Bibliographic Details
Main Author: Pierre Géal
Format: Article
Language:English
Published: Centre de Recherches Ibériques et Ibéro-Américaines
Series:Cahiers de Civilisation Espagnole Contemporaine
Subjects:
Online Access:https://journals.openedition.org/ccec/15216
Description
Summary:As early as 1820, the liberals developed a martyrdom pantheon that provided their movement with heroic referents capable of embodying the values they defended, but also of stimulating the political commitment of their compatriots. Particularly innovative, the lithograph « Víctimas de la causa popular », designed by Victoriano Ametller and Louis Charles Legrand, dated 1853, implements a graphic and textual discourse that is both complex and highly effective, which aims to bring together beyond of the Republican-Democratic camp. Its impact is confirmed by the reaction it provoked from Isabella II, who tried to censor it.
ISSN:1957-7761