Un panthéon martyrial censuré par Isabelle II : enquête sur l’estampe « Víctimas de la causa popular »
As early as 1820, the liberals developed a martyrdom pantheon that provided their movement with heroic referents capable of embodying the values they defended, but also of stimulating the political commitment of their compatriots. Particularly innovative, the lithograph « Víctimas de la causa popula...
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Format: | Article |
Language: | English |
Published: |
Centre de Recherches Ibériques et Ibéro-Américaines
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Series: | Cahiers de Civilisation Espagnole Contemporaine |
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Online Access: | https://journals.openedition.org/ccec/15216 |
Summary: | As early as 1820, the liberals developed a martyrdom pantheon that provided their movement with heroic referents capable of embodying the values they defended, but also of stimulating the political commitment of their compatriots. Particularly innovative, the lithograph « Víctimas de la causa popular », designed by Victoriano Ametller and Louis Charles Legrand, dated 1853, implements a graphic and textual discourse that is both complex and highly effective, which aims to bring together beyond of the Republican-Democratic camp. Its impact is confirmed by the reaction it provoked from Isabella II, who tried to censor it. |
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ISSN: | 1957-7761 |