Hauntology of Responsibility: Tom Stoppard’s Darkside

The article centres on the notion of responsibility in Tom Stoppard’s Darkside (2013). While Pink Floyd’s original album, which inspired the playwright, thematises its connection to ethics in a spectral and hauntological manner, through the use of field recording sound snippets interwoven in the mus...

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Main Author: Tymon Adamczewski
Format: Article
Language:English
Published: Maria Curie-Sklodowska University 2017-10-01
Series:Avant
Subjects:
Online Access:http://avant.edu.pl/wp-content/uploads/Adamczewski-Hauntology-of-Responsibility.pdf
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author Tymon Adamczewski
author_facet Tymon Adamczewski
author_sort Tymon Adamczewski
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description The article centres on the notion of responsibility in Tom Stoppard’s Darkside (2013). While Pink Floyd’s original album, which inspired the playwright, thematises its connection to ethics in a spectral and hauntological manner, through the use of field recording sound snippets interwoven in the music, the radio play explores the notion of responsibility through what is called “thought experiments.” The article identifies the subversive function of these narrative examples and, following Emanuel Levinas’ suggestions concerning the instability of the link between the philosophical discourse and that of examples, shows the latter’s insolent and disruptive nature. The notion of responsibility is further linked to its discussion by Jacques Derrida in his Gift of Death (1995) which consequently makes it possible to view the relation between responsibility and responding from a subversive, hauntological and undecidable perspective.
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spelling doaj.art-3be8fa6adbd941678357fe064b2ddeac2023-12-03T03:14:30ZengMaria Curie-Sklodowska UniversityAvant2082-67102017-10-018215716610.26913/80202017.0112.0012Hauntology of Responsibility: Tom Stoppard’s DarksideTymon AdamczewskiThe article centres on the notion of responsibility in Tom Stoppard’s Darkside (2013). While Pink Floyd’s original album, which inspired the playwright, thematises its connection to ethics in a spectral and hauntological manner, through the use of field recording sound snippets interwoven in the music, the radio play explores the notion of responsibility through what is called “thought experiments.” The article identifies the subversive function of these narrative examples and, following Emanuel Levinas’ suggestions concerning the instability of the link between the philosophical discourse and that of examples, shows the latter’s insolent and disruptive nature. The notion of responsibility is further linked to its discussion by Jacques Derrida in his Gift of Death (1995) which consequently makes it possible to view the relation between responsibility and responding from a subversive, hauntological and undecidable perspective.http://avant.edu.pl/wp-content/uploads/Adamczewski-Hauntology-of-Responsibility.pdfethicsresponsibilityJacques DerridaTom Stoppardmusic
spellingShingle Tymon Adamczewski
Hauntology of Responsibility: Tom Stoppard’s Darkside
Avant
ethics
responsibility
Jacques Derrida
Tom Stoppard
music
title Hauntology of Responsibility: Tom Stoppard’s Darkside
title_full Hauntology of Responsibility: Tom Stoppard’s Darkside
title_fullStr Hauntology of Responsibility: Tom Stoppard’s Darkside
title_full_unstemmed Hauntology of Responsibility: Tom Stoppard’s Darkside
title_short Hauntology of Responsibility: Tom Stoppard’s Darkside
title_sort hauntology of responsibility tom stoppard s darkside
topic ethics
responsibility
Jacques Derrida
Tom Stoppard
music
url http://avant.edu.pl/wp-content/uploads/Adamczewski-Hauntology-of-Responsibility.pdf
work_keys_str_mv AT tymonadamczewski hauntologyofresponsibilitytomstoppardsdarkside