Blockbuster Remakes

Like the term “blockbuster,” the phrase “blockbuster remake” can mean different things. Typically, blockbuster remake is an industrial term, one that refers to the production of large-scale movies adapted from previously filmed properties. In this definition, modest (cult) properties – such as, Plan...

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Main Author: Constantine Verevis
Format: Article
Language:Danish
Published: Aalborg University Open Publishing 2013-12-01
Series:Akademisk Kvarter
Subjects:
Online Access:https://journals.aau.dk/index.php/ak/article/view/2835
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author Constantine Verevis
author_facet Constantine Verevis
author_sort Constantine Verevis
collection DOAJ
description Like the term “blockbuster,” the phrase “blockbuster remake” can mean different things. Typically, blockbuster remake is an industrial term, one that refers to the production of large-scale movies adapted from previously filmed properties. In this definition, modest (cult) properties – such as, Planet of the Apes (1968, 2001), King Kong (1933, 1976, 2005), and War of the Worlds (1954, 2005) – are revived through massive production budgets as cultural juggernauts, with strong marketing campaigns and merchandising tie-ins. Less typical is a description that accounts for the way in which a blockbuster movie is itself remade: that is, a definition in which a blockbuster becomes the cornerstone for the entire architecture of a blockbuster cycle. This article explores the idea of a blockbuster remake, and blockbuster initiated cycle, in and through a case study of the prototype of all modern blockbusters: Steven Spielberg’s Jaws (1975). Specifically, the article interrogates the way in which “Bruce,” the great white shark of Jaws, initiated a rogue animal cycle consisting in the first instance of the Jaws franchise – Jaws 2 (1978), Jaws 3-D (1983) and Jaws 4: The Revenge (1987) – and also a series of replicas that included Grizzly (1976), Orca (1977), and Piranha (1978).
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spelling doaj.art-3c0c4ae3bbbb4998b1ca3f568ad1a86e2024-04-02T16:37:58ZdanAalborg University Open PublishingAkademisk Kvarter1904-00082013-12-01710.5278/ojs.academicquarter.v0i7.2835Blockbuster RemakesConstantine VerevisLike the term “blockbuster,” the phrase “blockbuster remake” can mean different things. Typically, blockbuster remake is an industrial term, one that refers to the production of large-scale movies adapted from previously filmed properties. In this definition, modest (cult) properties – such as, Planet of the Apes (1968, 2001), King Kong (1933, 1976, 2005), and War of the Worlds (1954, 2005) – are revived through massive production budgets as cultural juggernauts, with strong marketing campaigns and merchandising tie-ins. Less typical is a description that accounts for the way in which a blockbuster movie is itself remade: that is, a definition in which a blockbuster becomes the cornerstone for the entire architecture of a blockbuster cycle. This article explores the idea of a blockbuster remake, and blockbuster initiated cycle, in and through a case study of the prototype of all modern blockbusters: Steven Spielberg’s Jaws (1975). Specifically, the article interrogates the way in which “Bruce,” the great white shark of Jaws, initiated a rogue animal cycle consisting in the first instance of the Jaws franchise – Jaws 2 (1978), Jaws 3-D (1983) and Jaws 4: The Revenge (1987) – and also a series of replicas that included Grizzly (1976), Orca (1977), and Piranha (1978). https://journals.aau.dk/index.php/ak/article/view/2835Blockbusters, Film remakes, Film cycles, Rogue animal films, Jaws
spellingShingle Constantine Verevis
Blockbuster Remakes
Akademisk Kvarter
Blockbusters, Film remakes, Film cycles, Rogue animal films, Jaws
title Blockbuster Remakes
title_full Blockbuster Remakes
title_fullStr Blockbuster Remakes
title_full_unstemmed Blockbuster Remakes
title_short Blockbuster Remakes
title_sort blockbuster remakes
topic Blockbusters, Film remakes, Film cycles, Rogue animal films, Jaws
url https://journals.aau.dk/index.php/ak/article/view/2835
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