Dancing Beyond Heteronormative Boundaries: Jeanette Winterson’s The Twelve Dancing Princesses /Heteronormatif Sınırların Ötesinde Dans: Jeanette Winterson’ın On İki Dans Eden Prenses’i

The Twelve Dancing Princesses, written by the Grimm Brothers, is one of the well known fairy tales that has been adapted and rewritten several times in different languages, cultures, and texts. Among those works is Jeanette Winterson’s Sexing the Cherry (1989), which incorporates the post-modern...

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Main Author: Muzaffer Derya Nazlıpınar Subaşı
Format: Article
Language:English
Published: Cyprus International University 2022-05-01
Series:Folklor/Edebiyat
Subjects:
Online Access:https://folkloredebiyat.org/Makaleler/2064883361_10-%20Dancing%20M%20Derya%20N%20suba%c5%9f%c4%b1.pdf
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author Muzaffer Derya Nazlıpınar Subaşı
author_facet Muzaffer Derya Nazlıpınar Subaşı
author_sort Muzaffer Derya Nazlıpınar Subaşı
collection DOAJ
description The Twelve Dancing Princesses, written by the Grimm Brothers, is one of the well known fairy tales that has been adapted and rewritten several times in different languages, cultures, and texts. Among those works is Jeanette Winterson’s Sexing the Cherry (1989), which incorporates the post-modern retelling of this fairy tale. In the second chapter of the novel, Winterson retells the story of the twelve princesses using intertextual allusions to the traditional fairy tale that embodies androcentric biases and gender constraints submerged within the patriarchal system. However, in this new recreation, the writer, initially, challenges the heteronormativity and its phallocentrically constructed gender roles, then, she demonstrates to the passivized and tamed princesses, ways of violating male-assigned gender roles and identities by creating an all-encompassing space in which there is no othering and violence. Thus, considering the issues regarding heteronormativity and its boundaries and grounding its argument in feminist and queer literary critical theory, in this study, I have aimed to display how the fluid dynamics of gender construction can be revealed by transgressing the heteronormative boundaries and phallocentric dictations, and how wo/men can live happily ever after in accordance with ‘their own tastes’.
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spelling doaj.art-3c11ff3174fb48e89517737cbb434dfc2022-12-22T02:43:28ZengCyprus International UniversityFolklor/Edebiyat1300-74912022-05-012811042543710.22559/folklor.2099Dancing Beyond Heteronormative Boundaries: Jeanette Winterson’s The Twelve Dancing Princesses /Heteronormatif Sınırların Ötesinde Dans: Jeanette Winterson’ın On İki Dans Eden Prenses’i Muzaffer Derya Nazlıpınar Subaşı0https://orcid.org/0000-0002-0798-1142Assist. Prof. Dr. Kütahya Dumlupınar University Department of English Translation and Interpreting – Turkey. (Kütahya Dumlupınar Üniversitesi İngilizce Mütercim Tercümanlık Bölümü).The Twelve Dancing Princesses, written by the Grimm Brothers, is one of the well known fairy tales that has been adapted and rewritten several times in different languages, cultures, and texts. Among those works is Jeanette Winterson’s Sexing the Cherry (1989), which incorporates the post-modern retelling of this fairy tale. In the second chapter of the novel, Winterson retells the story of the twelve princesses using intertextual allusions to the traditional fairy tale that embodies androcentric biases and gender constraints submerged within the patriarchal system. However, in this new recreation, the writer, initially, challenges the heteronormativity and its phallocentrically constructed gender roles, then, she demonstrates to the passivized and tamed princesses, ways of violating male-assigned gender roles and identities by creating an all-encompassing space in which there is no othering and violence. Thus, considering the issues regarding heteronormativity and its boundaries and grounding its argument in feminist and queer literary critical theory, in this study, I have aimed to display how the fluid dynamics of gender construction can be revealed by transgressing the heteronormative boundaries and phallocentric dictations, and how wo/men can live happily ever after in accordance with ‘their own tastes’.https://folkloredebiyat.org/Makaleler/2064883361_10-%20Dancing%20M%20Derya%20N%20suba%c5%9f%c4%b1.pdfheteronormativityfluid identitiesassigned sex and gender rolesphallocentrismfeminist and queer studies
spellingShingle Muzaffer Derya Nazlıpınar Subaşı
Dancing Beyond Heteronormative Boundaries: Jeanette Winterson’s The Twelve Dancing Princesses /Heteronormatif Sınırların Ötesinde Dans: Jeanette Winterson’ın On İki Dans Eden Prenses’i
Folklor/Edebiyat
heteronormativity
fluid identities
assigned sex and gender roles
phallocentrism
feminist and queer studies
title Dancing Beyond Heteronormative Boundaries: Jeanette Winterson’s The Twelve Dancing Princesses /Heteronormatif Sınırların Ötesinde Dans: Jeanette Winterson’ın On İki Dans Eden Prenses’i
title_full Dancing Beyond Heteronormative Boundaries: Jeanette Winterson’s The Twelve Dancing Princesses /Heteronormatif Sınırların Ötesinde Dans: Jeanette Winterson’ın On İki Dans Eden Prenses’i
title_fullStr Dancing Beyond Heteronormative Boundaries: Jeanette Winterson’s The Twelve Dancing Princesses /Heteronormatif Sınırların Ötesinde Dans: Jeanette Winterson’ın On İki Dans Eden Prenses’i
title_full_unstemmed Dancing Beyond Heteronormative Boundaries: Jeanette Winterson’s The Twelve Dancing Princesses /Heteronormatif Sınırların Ötesinde Dans: Jeanette Winterson’ın On İki Dans Eden Prenses’i
title_short Dancing Beyond Heteronormative Boundaries: Jeanette Winterson’s The Twelve Dancing Princesses /Heteronormatif Sınırların Ötesinde Dans: Jeanette Winterson’ın On İki Dans Eden Prenses’i
title_sort dancing beyond heteronormative boundaries jeanette winterson s the twelve dancing princesses heteronormatif sinirlarin otesinde dans jeanette winterson in on iki dans eden prenses i
topic heteronormativity
fluid identities
assigned sex and gender roles
phallocentrism
feminist and queer studies
url https://folkloredebiyat.org/Makaleler/2064883361_10-%20Dancing%20M%20Derya%20N%20suba%c5%9f%c4%b1.pdf
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