Framing devices for works of art and hypotheses for an immersive use of cultural patrimony

The project envisages the development of innovative and immersive fruitive solutions through the use of an eye tracking device, capable of identifying the points of greatest interest for an observer and, therefore, of suggesting possible set-up criteria useful for maximizing the visiting experience...

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Bibliographic Details
Main Author: Marianna Cuomo
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2022-12-01
Series:Journal of Art Historiography
Subjects:
Online Access:https://arthistoriography.files.wordpress.com/2022/11/18_cuomo.pdf
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author Marianna Cuomo
author_facet Marianna Cuomo
author_sort Marianna Cuomo
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description The project envisages the development of innovative and immersive fruitive solutions through the use of an eye tracking device, capable of identifying the points of greatest interest for an observer and, therefore, of suggesting possible set-up criteria useful for maximizing the visiting experience on a cognitive level. The project focuses on a specific category of frames characterised by a complex wealth of information that is, through the presence of repetitive decorative motifs, also extended to less elaborate types (up to and including images without borders), in order to identify whether and which of these can be considered ‘indices’ and vehicles capable of catalysing the attention of observers towards specific aspects of a visual construct.
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spelling doaj.art-3c122adef6214cdb9769671b836f68432023-01-13T18:35:49ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522022-12-0127s27sMC110.48352/uobxjah.00004212Framing devices for works of art and hypotheses for an immersive use of cultural patrimonyMarianna Cuomo 0University of Suor Orsola Benincasa – NaplesThe project envisages the development of innovative and immersive fruitive solutions through the use of an eye tracking device, capable of identifying the points of greatest interest for an observer and, therefore, of suggesting possible set-up criteria useful for maximizing the visiting experience on a cognitive level. The project focuses on a specific category of frames characterised by a complex wealth of information that is, through the presence of repetitive decorative motifs, also extended to less elaborate types (up to and including images without borders), in order to identify whether and which of these can be considered ‘indices’ and vehicles capable of catalysing the attention of observers towards specific aspects of a visual construct.https://arthistoriography.files.wordpress.com/2022/11/18_cuomo.pdfframingartimmersive cultural patrimony
spellingShingle Marianna Cuomo
Framing devices for works of art and hypotheses for an immersive use of cultural patrimony
Journal of Art Historiography
framing
art
immersive cultural patrimony
title Framing devices for works of art and hypotheses for an immersive use of cultural patrimony
title_full Framing devices for works of art and hypotheses for an immersive use of cultural patrimony
title_fullStr Framing devices for works of art and hypotheses for an immersive use of cultural patrimony
title_full_unstemmed Framing devices for works of art and hypotheses for an immersive use of cultural patrimony
title_short Framing devices for works of art and hypotheses for an immersive use of cultural patrimony
title_sort framing devices for works of art and hypotheses for an immersive use of cultural patrimony
topic framing
art
immersive cultural patrimony
url https://arthistoriography.files.wordpress.com/2022/11/18_cuomo.pdf
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