"Dancing as if Language no Longer Existed": Politics of Songs and Dance in Lynn Nottage's Ruined
One of the most notable African American playwrights in contemporary drama is the well-known American writer Lynn Nottage. Her play Ruined earned her the 2008 Pulitzer Prize for Drama. After her play was published, she gained a solid reputation as one of Africa's leading advocates for women...
Main Author: | Muhammed Subhi Salama |
---|---|
Format: | Article |
Language: | Arabic |
Published: |
Ain Shams University
2022-10-01
|
Series: | Miṣriqiyā |
Online Access: | https://misj.journals.ekb.eg/article_284754.html |
Similar Items
-
On Lynn Nottage’s Ruined
by: Randy Gener
Published: (2010-09-01) -
Victims in the Limelight: Subverting Abuse Tropes in Lynn Nottage’s Ruined
by: Basalic, Laura Mihaela
Published: (2018-12-01) -
Gendered Corporality and Place in Lynn Nottage's Ruined: A Postcolonial Approach
by: حسن محمد صالح
Published: (2018-12-01) -
Wartime women rape: a means of moral attack and emasculation in Lynn Nottage's Ruined
by: Salih, Elaff Ganim, et al.
Published: (2016) -
Review of: Hanna, Judith Lynne: Dance Human: A Theory of Nonverbal Communication
by: Murphy, S
Published: (1989)