Spindle Whorls: their Symbolism in the Villanovan Cemetery of Quattro Fontanili, Veii

The hypothesis presented in this paper is that the apparently insignificant pottery spindle whorl is a symbol of transformation of death into new life by analogy with mankind's oldest abstract image, the circle, and with the important inventions of pottery making and spinning. This funerary sy...

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Main Author: Kristina Berggren
Format: Article
Language:English
Published: Svenska Arkeologiska Samfundet 1993-12-01
Series:Current Swedish Archaeology
Online Access:https://193.10.12.85:443/csa/article/view/1255
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author Kristina Berggren
author_facet Kristina Berggren
author_sort Kristina Berggren
collection DOAJ
description The hypothesis presented in this paper is that the apparently insignificant pottery spindle whorl is a symbol of transformation of death into new life by analogy with mankind's oldest abstract image, the circle, and with the important inventions of pottery making and spinning. This funerary symbolism, which earlier was dominated by the feminine principle, in the Villanovan culture receives the male figure. The Villanovan culture, in Central Italy, is a transition between the old, inward-looking, immobile village and the new expanding Etruscan city-state. During this transition the spindle whorl begins, as an abstract image, to symbolize the feminine principle in the hieros gamos, later represented as the intercourse between the goddess and the god.
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spelling doaj.art-3ca405d1c1c14af39b68526bfc9ea3a72023-03-24T02:27:14ZengSvenska Arkeologiska SamfundetCurrent Swedish Archaeology1102-73552002-39011993-12-011110.37718/CSA.1993.01Spindle Whorls: their Symbolism in the Villanovan Cemetery of Quattro Fontanili, VeiiKristina Berggren The hypothesis presented in this paper is that the apparently insignificant pottery spindle whorl is a symbol of transformation of death into new life by analogy with mankind's oldest abstract image, the circle, and with the important inventions of pottery making and spinning. This funerary symbolism, which earlier was dominated by the feminine principle, in the Villanovan culture receives the male figure. The Villanovan culture, in Central Italy, is a transition between the old, inward-looking, immobile village and the new expanding Etruscan city-state. During this transition the spindle whorl begins, as an abstract image, to symbolize the feminine principle in the hieros gamos, later represented as the intercourse between the goddess and the god. https://193.10.12.85:443/csa/article/view/1255
spellingShingle Kristina Berggren
Spindle Whorls: their Symbolism in the Villanovan Cemetery of Quattro Fontanili, Veii
Current Swedish Archaeology
title Spindle Whorls: their Symbolism in the Villanovan Cemetery of Quattro Fontanili, Veii
title_full Spindle Whorls: their Symbolism in the Villanovan Cemetery of Quattro Fontanili, Veii
title_fullStr Spindle Whorls: their Symbolism in the Villanovan Cemetery of Quattro Fontanili, Veii
title_full_unstemmed Spindle Whorls: their Symbolism in the Villanovan Cemetery of Quattro Fontanili, Veii
title_short Spindle Whorls: their Symbolism in the Villanovan Cemetery of Quattro Fontanili, Veii
title_sort spindle whorls their symbolism in the villanovan cemetery of quattro fontanili veii
url https://193.10.12.85:443/csa/article/view/1255
work_keys_str_mv AT kristinaberggren spindlewhorlstheirsymbolisminthevillanovancemeteryofquattrofontaniliveii