Sceny strachu, czyli lazzi di paura w komedii dell’arte

Lazzo is a short scene of a comic nature that can be compared to a modern-day gag. Italian actors had various categories of such scenes in their repertoires (mimic-gestual, acrobatic, verbal or mixed). Such a ready-made stage sequence was suitable for editing into various plots. The purpose of this...

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Main Author: Jolanta Dygul
Format: Article
Language:English
Published: Lodz University Press 2022-12-01
Series:Acta Universitatis Lodziensis: Folia Litteraria Romanica
Subjects:
Online Access:https://czasopisma.uni.lodz.pl/romanica/article/view/17745
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author Jolanta Dygul
author_facet Jolanta Dygul
author_sort Jolanta Dygul
collection DOAJ
description Lazzo is a short scene of a comic nature that can be compared to a modern-day gag. Italian actors had various categories of such scenes in their repertoires (mimic-gestual, acrobatic, verbal or mixed). Such a ready-made stage sequence was suitable for editing into various plots. The purpose of this paper is to analyze scenes of fear in selected scenarios dell’arte. To illustrate the variety of fear scenes improvised by Italian actors, four scenarios were chosen to adapt a single literary text, Calderón de la Barca’s La dama duende, a very popular work in the 17th and 18th centuries (La Dame Diablesse, manuscript from the Bibliothèque Nationale in Paris; La dama Demonio, manuscript from the collection of the Vatican Library; La dama creduta spirito folletto from the Neapolitan collection; La dama demonio e la serva diavolo from the collection of arguments of the court of August III).
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spelling doaj.art-3cb72375605a4f09b2ec06b08bbeac572023-06-13T10:52:28ZengLodz University PressActa Universitatis Lodziensis: Folia Litteraria Romanica1505-90652449-88312022-12-0117217118110.18778/1505-9065.17.2.1517494Sceny strachu, czyli lazzi di paura w komedii dell’arteJolanta Dygul0https://orcid.org/0000-0002-9373-9327Uniwersytet WarszawskiLazzo is a short scene of a comic nature that can be compared to a modern-day gag. Italian actors had various categories of such scenes in their repertoires (mimic-gestual, acrobatic, verbal or mixed). Such a ready-made stage sequence was suitable for editing into various plots. The purpose of this paper is to analyze scenes of fear in selected scenarios dell’arte. To illustrate the variety of fear scenes improvised by Italian actors, four scenarios were chosen to adapt a single literary text, Calderón de la Barca’s La dama duende, a very popular work in the 17th and 18th centuries (La Dame Diablesse, manuscript from the Bibliothèque Nationale in Paris; La dama Demonio, manuscript from the collection of the Vatican Library; La dama creduta spirito folletto from the Neapolitan collection; La dama demonio e la serva diavolo from the collection of arguments of the court of August III).https://czasopisma.uni.lodz.pl/romanica/article/view/17745comicfearactorscenario
spellingShingle Jolanta Dygul
Sceny strachu, czyli lazzi di paura w komedii dell’arte
Acta Universitatis Lodziensis: Folia Litteraria Romanica
comic
fear
actor
scenario
title Sceny strachu, czyli lazzi di paura w komedii dell’arte
title_full Sceny strachu, czyli lazzi di paura w komedii dell’arte
title_fullStr Sceny strachu, czyli lazzi di paura w komedii dell’arte
title_full_unstemmed Sceny strachu, czyli lazzi di paura w komedii dell’arte
title_short Sceny strachu, czyli lazzi di paura w komedii dell’arte
title_sort sceny strachu czyli lazzi di paura w komedii dell arte
topic comic
fear
actor
scenario
url https://czasopisma.uni.lodz.pl/romanica/article/view/17745
work_keys_str_mv AT jolantadygul scenystrachuczylilazzidipaurawkomediidellarte