“The drops which fell from Shakespear’s Pen”: Hamlet in Contemporary Fiction

Questions of gender, ethnicity and sexuality have all been raised by novelists intent on rewriting Shakespeare from the position of what have been seen as cultural margins. While discussions of such rewritings are ongoing, few concerted efforts have been made to trace a pattern in the treatment of S...

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Main Author: Gill, Patrick
Format: Article
Language:English
Published: Universidad de Alicante 2012-11-01
Series:Revista Alicantina de Estudios Ingleses
Online Access:https://raei.ua.es/article/view/2012-n25-the-drops-which-fell-from-shakespears-pen-hamlet-in-contemporary-fiction
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author Gill, Patrick
author_facet Gill, Patrick
author_sort Gill, Patrick
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description Questions of gender, ethnicity and sexuality have all been raised by novelists intent on rewriting Shakespeare from the position of what have been seen as cultural margins. While discussions of such rewritings are ongoing, few concerted efforts have been made to trace a pattern in the treatment of Shakespearean allusion and adaptation at the hands of British and American writers of the literary mainstream. The present essay sets out to investigate the way in which three such writers —Ian McEwan, Graham Swift, and John Updike— employ allusion to/adaptations of Hamlet in their novels and what their respective stances reveal about their understanding of their role as canonical writers.
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spelling doaj.art-3cbacb1b99f24e77a3cc717e62c0c3db2022-12-22T03:05:09ZengUniversidad de AlicanteRevista Alicantina de Estudios Ingleses0214-48082171-861X2012-11-012525710.14198/raei.2012.25.194790“The drops which fell from Shakespear’s Pen”: Hamlet in Contemporary FictionGill, PatrickQuestions of gender, ethnicity and sexuality have all been raised by novelists intent on rewriting Shakespeare from the position of what have been seen as cultural margins. While discussions of such rewritings are ongoing, few concerted efforts have been made to trace a pattern in the treatment of Shakespearean allusion and adaptation at the hands of British and American writers of the literary mainstream. The present essay sets out to investigate the way in which three such writers —Ian McEwan, Graham Swift, and John Updike— employ allusion to/adaptations of Hamlet in their novels and what their respective stances reveal about their understanding of their role as canonical writers.https://raei.ua.es/article/view/2012-n25-the-drops-which-fell-from-shakespears-pen-hamlet-in-contemporary-fiction
spellingShingle Gill, Patrick
“The drops which fell from Shakespear’s Pen”: Hamlet in Contemporary Fiction
Revista Alicantina de Estudios Ingleses
title “The drops which fell from Shakespear’s Pen”: Hamlet in Contemporary Fiction
title_full “The drops which fell from Shakespear’s Pen”: Hamlet in Contemporary Fiction
title_fullStr “The drops which fell from Shakespear’s Pen”: Hamlet in Contemporary Fiction
title_full_unstemmed “The drops which fell from Shakespear’s Pen”: Hamlet in Contemporary Fiction
title_short “The drops which fell from Shakespear’s Pen”: Hamlet in Contemporary Fiction
title_sort the drops which fell from shakespear s pen hamlet in contemporary fiction
url https://raei.ua.es/article/view/2012-n25-the-drops-which-fell-from-shakespears-pen-hamlet-in-contemporary-fiction
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