Rewriting Race, Gender and Religion in Toni Morrison’s <i>Song of Solomon</i> and <i>Paradise</i>

This article explores author Toni Morrison&#8217;s creation of female spiritual leaders in her 1977 novel, <i>Song of Solomon</i>, and her 1998 novel, <i>Paradise</i>. I argue that she deliberately distorts Biblical imagery and narrative to rewrite women into the roles of...

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Main Author: Heather Hathaway
Format: Article
Language:English
Published: MDPI AG 2019-05-01
Series:Religions
Subjects:
Online Access:https://www.mdpi.com/2077-1444/10/6/345
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author Heather Hathaway
author_facet Heather Hathaway
author_sort Heather Hathaway
collection DOAJ
description This article explores author Toni Morrison&#8217;s creation of female spiritual leaders in her 1977 novel, <i>Song of Solomon</i>, and her 1998 novel, <i>Paradise</i>. I argue that she deliberately distorts Biblical imagery and narrative to rewrite women into the roles of spiritual agents rather than subjects, using irony and inversion, in <i>Song of Solomon</i>. She builds on this in <i>Paradise</i> by exploring the limitations of patriarchal orthodox Christian systems of social order and control by casting them in light of alternative spiritual beliefs, most notably Gnosticism.
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spelling doaj.art-3ce2058df425459bae9238fc8d7fc4d22022-12-21T17:57:42ZengMDPI AGReligions2077-14442019-05-0110634510.3390/rel10060345rel10060345Rewriting Race, Gender and Religion in Toni Morrison’s <i>Song of Solomon</i> and <i>Paradise</i>Heather Hathaway0Department of English, Marquette University, Milwaukee, WI 53233, USAThis article explores author Toni Morrison&#8217;s creation of female spiritual leaders in her 1977 novel, <i>Song of Solomon</i>, and her 1998 novel, <i>Paradise</i>. I argue that she deliberately distorts Biblical imagery and narrative to rewrite women into the roles of spiritual agents rather than subjects, using irony and inversion, in <i>Song of Solomon</i>. She builds on this in <i>Paradise</i> by exploring the limitations of patriarchal orthodox Christian systems of social order and control by casting them in light of alternative spiritual beliefs, most notably Gnosticism.https://www.mdpi.com/2077-1444/10/6/345religionGnosticismwomanist theologyAfrican American womenspiritualityToni Morrison<i>Song of Solomon</i><i>Paradise</i><i>The Source of Self-Regard</i>
spellingShingle Heather Hathaway
Rewriting Race, Gender and Religion in Toni Morrison’s <i>Song of Solomon</i> and <i>Paradise</i>
Religions
religion
Gnosticism
womanist theology
African American women
spirituality
Toni Morrison
<i>Song of Solomon</i>
<i>Paradise</i>
<i>The Source of Self-Regard</i>
title Rewriting Race, Gender and Religion in Toni Morrison’s <i>Song of Solomon</i> and <i>Paradise</i>
title_full Rewriting Race, Gender and Religion in Toni Morrison’s <i>Song of Solomon</i> and <i>Paradise</i>
title_fullStr Rewriting Race, Gender and Religion in Toni Morrison’s <i>Song of Solomon</i> and <i>Paradise</i>
title_full_unstemmed Rewriting Race, Gender and Religion in Toni Morrison’s <i>Song of Solomon</i> and <i>Paradise</i>
title_short Rewriting Race, Gender and Religion in Toni Morrison’s <i>Song of Solomon</i> and <i>Paradise</i>
title_sort rewriting race gender and religion in toni morrison s i song of solomon i and i paradise i
topic religion
Gnosticism
womanist theology
African American women
spirituality
Toni Morrison
<i>Song of Solomon</i>
<i>Paradise</i>
<i>The Source of Self-Regard</i>
url https://www.mdpi.com/2077-1444/10/6/345
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