Osterwa po wojnie albo Pięknosłużca w Polsce Ludowej

The article discusses Juliusz Osterwa’s activity between 1944 and 1947. The author describes Osterwa’s social and artistic stance towards the new reality and his role in rebuilding Polish theatre after the war. It also addresses his complicated relations with the communist authorities; it is argued...

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Main Author: Jarosław Cymerman
Format: Article
Language:English
Published: Institute of Art of the Polish Academy of Sciences 2020-08-01
Series:Pamiętnik Teatralny
Subjects:
Online Access:https://czasopisma.ispan.pl/index.php/pt/article/view/247
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author Jarosław Cymerman
author_facet Jarosław Cymerman
author_sort Jarosław Cymerman
collection DOAJ
description The article discusses Juliusz Osterwa’s activity between 1944 and 1947. The author describes Osterwa’s social and artistic stance towards the new reality and his role in rebuilding Polish theatre after the war. It also addresses his complicated relations with the communist authorities; it is argued that they escape any clear-cut categorisation or evaluation. The article focuses mainly on Osterwa’s stage productions from this period: Stefan Żeromski’s Uciekła mi przepióreczka [My Quail Has Fled] (1945) in Kraków, Juliusz Słowacki's Fantazy in Łódź (1945), Słowacki’s Lilla Weneda (1946) and Kazimierz Korcelli’s Papuga [Parrot] (1946) in Warsaw, and finally Fantazy in Kraków (1946), Osterwa’s last stage performance. Based on the critical reception of these productions in the Polish press, the author reconstructs the picture of the hopes and tensions accompanying the post-war activity of the outstanding actor, director and educator in his final years. Osterwa’s plans that remained unrealised due to his terminal illness are also mentioned.
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spelling doaj.art-3ceba7dbdb7b4592b200b52f8372e4552024-02-06T13:27:30ZengInstitute of Art of the Polish Academy of SciencesPamiętnik Teatralny0031-05222658-28992020-08-0169217920410.36744/pt.247186Osterwa po wojnie albo Pięknosłużca w Polsce LudowejJarosław Cymerman0https://orcid.org/0000-0002-6494-505XUniwersytet Marii Curie-Skłodowskiej w LublinieThe article discusses Juliusz Osterwa’s activity between 1944 and 1947. The author describes Osterwa’s social and artistic stance towards the new reality and his role in rebuilding Polish theatre after the war. It also addresses his complicated relations with the communist authorities; it is argued that they escape any clear-cut categorisation or evaluation. The article focuses mainly on Osterwa’s stage productions from this period: Stefan Żeromski’s Uciekła mi przepióreczka [My Quail Has Fled] (1945) in Kraków, Juliusz Słowacki's Fantazy in Łódź (1945), Słowacki’s Lilla Weneda (1946) and Kazimierz Korcelli’s Papuga [Parrot] (1946) in Warsaw, and finally Fantazy in Kraków (1946), Osterwa’s last stage performance. Based on the critical reception of these productions in the Polish press, the author reconstructs the picture of the hopes and tensions accompanying the post-war activity of the outstanding actor, director and educator in his final years. Osterwa’s plans that remained unrealised due to his terminal illness are also mentioned.https://czasopisma.ispan.pl/index.php/pt/article/view/247juliusz osterwaredutapolish theatre after world war 2communismtheatre and politics
spellingShingle Jarosław Cymerman
Osterwa po wojnie albo Pięknosłużca w Polsce Ludowej
Pamiętnik Teatralny
juliusz osterwa
reduta
polish theatre after world war 2
communism
theatre and politics
title Osterwa po wojnie albo Pięknosłużca w Polsce Ludowej
title_full Osterwa po wojnie albo Pięknosłużca w Polsce Ludowej
title_fullStr Osterwa po wojnie albo Pięknosłużca w Polsce Ludowej
title_full_unstemmed Osterwa po wojnie albo Pięknosłużca w Polsce Ludowej
title_short Osterwa po wojnie albo Pięknosłużca w Polsce Ludowej
title_sort osterwa po wojnie albo pieknosluzca w polsce ludowej
topic juliusz osterwa
reduta
polish theatre after world war 2
communism
theatre and politics
url https://czasopisma.ispan.pl/index.php/pt/article/view/247
work_keys_str_mv AT jarosławcymerman osterwapowojniealbopieknosłuzcawpolsceludowej