Immersion in Digital Fiction

In this article, we profile an empirically grounded, cognitive approach to immersion in digital fiction by combining text-driven stylistic analysis with insights from theories of cognition and reader-response research. We offer a new analytical method for immersive features in digital fiction by dev...

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Main Authors: Alice Bell, Astrid Ensslin, Isabelle van der Bom, Jen Smith
Format: Article
Language:English
Published: Johannes Gutenberg-Universität Mainz 2018-01-01
Series:International Journal of Literary Linguistics
Subjects:
Online Access:https://journals.linguistik.de/ijll/article/view/105
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author Alice Bell
Astrid Ensslin
Isabelle van der Bom
Jen Smith
author_facet Alice Bell
Astrid Ensslin
Isabelle van der Bom
Jen Smith
author_sort Alice Bell
collection DOAJ
description In this article, we profile an empirically grounded, cognitive approach to immersion in digital fiction by combining text-driven stylistic analysis with insights from theories of cognition and reader-response research. We offer a new analytical method for immersive features in digital fiction by developing deictic shift theory for the affordances of digital media. We also provide empirically substantiated insights to show how immersion is experienced cognitively by using Andy Campbell and Judi Alston’s (2015) digital fiction piece WALLPAPER as a case study. We add ‘interactional deixis’ and ‘audible deixis’ to Stockwell’s (2002) model to account for the multimodal nature of immersion in digital fiction. We also show how extra-textual features can contribute to immersion and thus propose that they should be accounted for when analysing immersion across media. We conclude that the analytical framework and reader response protocol that we develop here can be adapted for application to texts across media.
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spelling doaj.art-3cec4ca24a62474d8b369863e9dd44182022-12-21T20:01:35ZengJohannes Gutenberg-Universität MainzInternational Journal of Literary Linguistics2194-55942018-01-017110.15462/ijll.v7i1.105Immersion in Digital FictionAlice Bell0Astrid Ensslin1Isabelle van der Bom2Jen Smith3Sheffield Hallam UniversityUniversity of AlbertaSheffield Hallam UniversitySheffield Hallam UniversityIn this article, we profile an empirically grounded, cognitive approach to immersion in digital fiction by combining text-driven stylistic analysis with insights from theories of cognition and reader-response research. We offer a new analytical method for immersive features in digital fiction by developing deictic shift theory for the affordances of digital media. We also provide empirically substantiated insights to show how immersion is experienced cognitively by using Andy Campbell and Judi Alston’s (2015) digital fiction piece WALLPAPER as a case study. We add ‘interactional deixis’ and ‘audible deixis’ to Stockwell’s (2002) model to account for the multimodal nature of immersion in digital fiction. We also show how extra-textual features can contribute to immersion and thus propose that they should be accounted for when analysing immersion across media. We conclude that the analytical framework and reader response protocol that we develop here can be adapted for application to texts across media.https://journals.linguistik.de/ijll/article/view/105Cognitive PoeticsNarrativeNarratologyImmersionEmbodimentDigital Fiction
spellingShingle Alice Bell
Astrid Ensslin
Isabelle van der Bom
Jen Smith
Immersion in Digital Fiction
International Journal of Literary Linguistics
Cognitive Poetics
Narrative
Narratology
Immersion
Embodiment
Digital Fiction
title Immersion in Digital Fiction
title_full Immersion in Digital Fiction
title_fullStr Immersion in Digital Fiction
title_full_unstemmed Immersion in Digital Fiction
title_short Immersion in Digital Fiction
title_sort immersion in digital fiction
topic Cognitive Poetics
Narrative
Narratology
Immersion
Embodiment
Digital Fiction
url https://journals.linguistik.de/ijll/article/view/105
work_keys_str_mv AT alicebell immersionindigitalfiction
AT astridensslin immersionindigitalfiction
AT isabellevanderbom immersionindigitalfiction
AT jensmith immersionindigitalfiction