Lothar Schreyer a sztuka sceniczna ekspresjonizmu

Expressionism as an art movement was primarily a German phenomenon. The expressionist theatre begun and flourished in the Weimar Republic where the style lasted until about 1924, contributing to the rise of a truly modern form of dramatic art in Germany. The first example of Expressionist drama was...

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Main Author: Günter Berghaus
Format: Article
Language:English
Published: Institute of Art of the Polish Academy of Sciences 2019-03-01
Series:Pamiętnik Teatralny
Subjects:
Online Access:https://czasopisma.ispan.pl/index.php/pt/article/view/210
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author Günter Berghaus
author_facet Günter Berghaus
author_sort Günter Berghaus
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description Expressionism as an art movement was primarily a German phenomenon. The expressionist theatre begun and flourished in the Weimar Republic where the style lasted until about 1924, contributing to the rise of a truly modern form of dramatic art in Germany. The first example of Expressionist drama was the play Mörder, Hoffnung der Frauen by the painter Oskar Kokoschka, who staged its Vienna première on 4 July 1909. Lothar Schreyer (1886–1966) chose another path of Expressionism, grounded in mysticism and spirituality. While Kokoschka’s Viennese production was the work of an absolute theatrical outsider, Schreyer had a thorough professional education in this field. In 1916–1921, he devoted himself to the creation of a completely new form of scenic art and founded two theatre companies in which he could consistently pursue his utopian goals. Schreyer saw the theatre as a metaphysical institution that could give an insight into the harmony and magic of the cosmos, which would enable to distance oneself from “a past man”.
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spelling doaj.art-3cf05400045943bd88cf2260dce69da42024-02-06T13:12:57ZengInstitute of Art of the Polish Academy of SciencesPamiętnik Teatralny0031-05222658-28992019-03-01681223710.36744/pt.210157Lothar Schreyer a sztuka sceniczna ekspresjonizmuGünter Berghaus0University of BristolExpressionism as an art movement was primarily a German phenomenon. The expressionist theatre begun and flourished in the Weimar Republic where the style lasted until about 1924, contributing to the rise of a truly modern form of dramatic art in Germany. The first example of Expressionist drama was the play Mörder, Hoffnung der Frauen by the painter Oskar Kokoschka, who staged its Vienna première on 4 July 1909. Lothar Schreyer (1886–1966) chose another path of Expressionism, grounded in mysticism and spirituality. While Kokoschka’s Viennese production was the work of an absolute theatrical outsider, Schreyer had a thorough professional education in this field. In 1916–1921, he devoted himself to the creation of a completely new form of scenic art and founded two theatre companies in which he could consistently pursue his utopian goals. Schreyer saw the theatre as a metaphysical institution that could give an insight into the harmony and magic of the cosmos, which would enable to distance oneself from “a past man”.https://czasopisma.ispan.pl/index.php/pt/article/view/210lothar schreyerexpressionismexpressionist theatregerman theatretheatre history
spellingShingle Günter Berghaus
Lothar Schreyer a sztuka sceniczna ekspresjonizmu
Pamiętnik Teatralny
lothar schreyer
expressionism
expressionist theatre
german theatre
theatre history
title Lothar Schreyer a sztuka sceniczna ekspresjonizmu
title_full Lothar Schreyer a sztuka sceniczna ekspresjonizmu
title_fullStr Lothar Schreyer a sztuka sceniczna ekspresjonizmu
title_full_unstemmed Lothar Schreyer a sztuka sceniczna ekspresjonizmu
title_short Lothar Schreyer a sztuka sceniczna ekspresjonizmu
title_sort lothar schreyer a sztuka sceniczna ekspresjonizmu
topic lothar schreyer
expressionism
expressionist theatre
german theatre
theatre history
url https://czasopisma.ispan.pl/index.php/pt/article/view/210
work_keys_str_mv AT gunterberghaus lotharschreyerasztukascenicznaekspresjonizmu