Anthropomorphism and Zoomorphism in the Ornamental Art of the Crimean Tatars

The author of the article reveals the problem of anthropomorphic and zoomorphic images in Islamic art, particularly in the Turkic ornamentation of the Crimea. Superficial, unscientific interpretations of motifs and ornamental compositions often lead to the search for and appropriation of anthropomor...

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Main Author: Akchurina-Muftieva N.M.
Format: Article
Language:English
Published: State Institution «Sh.Marjani Institute of History of Tatarstan Academy of Sciences» 2022-03-01
Series:Zolotoordynskoe Obozrenie
Subjects:
Online Access:http://goldhorde.ru/en/stati2022-1-12/
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author Akchurina-Muftieva N.M.
author_facet Akchurina-Muftieva N.M.
author_sort Akchurina-Muftieva N.M.
collection DOAJ
description The author of the article reveals the problem of anthropomorphic and zoomorphic images in Islamic art, particularly in the Turkic ornamentation of the Crimea. Superficial, unscientific interpretations of motifs and ornamental compositions often lead to the search for and appropriation of anthropomorphism without appropriate research, loose interpretations of motifs, and the creation of a new mythology. Despite conservative views regarding the categorical denial of the permissiveness of the image of a person, there are many surviving works of fine and decorative art that confirm an opposite tradition. Currently, there are practically no studies of anthropomorphism and zoomorphism in the Turkic ornamentation of the Crimea, their typological and artistic features, and their symbolic context. Based on the material of decorative and applied art of the Crimean Tatars from the fourteenth century to the present, examples of zoomorphic and anthropomorphic ornamental images are provided in the article. They are stylized objects – fully, partially, or in the form of a silhouette – reflecting the surrounding real world of living beings. Complete naturalistic images (birds, fish, animals, insects) are found on objects until the first half of fifteenth century, and then starting again from the second half of eighteenth century. From the sixteenth to the first half of eighteenth centuries, anthropomorphic and zoomorphic motifs were depicted in a stylized form. The author of the study reveals the symbolism of the most common motifs, along with the typological and artistic features of the images. As a result of the study, it was revealed that the color, silhouette, and figurativeness of anthropomorphic and zoomorphic images in the Crimean Tatar decorative and applied art depend primarily on the material, technique, and functional purpose of the created object. In addition to images on objects, anthropomorphism is present as the silhouette of objects.
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spelling doaj.art-3d6d9b903c1e4ab29d2e028243cef26b2022-12-22T03:06:30ZengState Institution «Sh.Marjani Institute of History of Tatarstan Academy of Sciences»Zolotoordynskoe Obozrenie2308-152X2313-61972022-03-0110122924010.22378/2313-6197.2022-10-1.229-240Anthropomorphism and Zoomorphism in the Ornamental Art of the Crimean TatarsAkchurina-Muftieva N.M. 0Crimean Engineering and Pedagogical University named after Fevzi Yakubov Simferopol, Russian Federation akchurina_05@mail.ru The author of the article reveals the problem of anthropomorphic and zoomorphic images in Islamic art, particularly in the Turkic ornamentation of the Crimea. Superficial, unscientific interpretations of motifs and ornamental compositions often lead to the search for and appropriation of anthropomorphism without appropriate research, loose interpretations of motifs, and the creation of a new mythology. Despite conservative views regarding the categorical denial of the permissiveness of the image of a person, there are many surviving works of fine and decorative art that confirm an opposite tradition. Currently, there are practically no studies of anthropomorphism and zoomorphism in the Turkic ornamentation of the Crimea, their typological and artistic features, and their symbolic context. Based on the material of decorative and applied art of the Crimean Tatars from the fourteenth century to the present, examples of zoomorphic and anthropomorphic ornamental images are provided in the article. They are stylized objects – fully, partially, or in the form of a silhouette – reflecting the surrounding real world of living beings. Complete naturalistic images (birds, fish, animals, insects) are found on objects until the first half of fifteenth century, and then starting again from the second half of eighteenth century. From the sixteenth to the first half of eighteenth centuries, anthropomorphic and zoomorphic motifs were depicted in a stylized form. The author of the study reveals the symbolism of the most common motifs, along with the typological and artistic features of the images. As a result of the study, it was revealed that the color, silhouette, and figurativeness of anthropomorphic and zoomorphic images in the Crimean Tatar decorative and applied art depend primarily on the material, technique, and functional purpose of the created object. In addition to images on objects, anthropomorphism is present as the silhouette of objects.http://goldhorde.ru/en/stati2022-1-12/crimean tatar decorative and applied artornamental artmotiveanthropomorphiczoomorphicsymbolism
spellingShingle Akchurina-Muftieva N.M.
Anthropomorphism and Zoomorphism in the Ornamental Art of the Crimean Tatars
Zolotoordynskoe Obozrenie
crimean tatar decorative and applied art
ornamental art
motive
anthropomorphic
zoomorphic
symbolism
title Anthropomorphism and Zoomorphism in the Ornamental Art of the Crimean Tatars
title_full Anthropomorphism and Zoomorphism in the Ornamental Art of the Crimean Tatars
title_fullStr Anthropomorphism and Zoomorphism in the Ornamental Art of the Crimean Tatars
title_full_unstemmed Anthropomorphism and Zoomorphism in the Ornamental Art of the Crimean Tatars
title_short Anthropomorphism and Zoomorphism in the Ornamental Art of the Crimean Tatars
title_sort anthropomorphism and zoomorphism in the ornamental art of the crimean tatars
topic crimean tatar decorative and applied art
ornamental art
motive
anthropomorphic
zoomorphic
symbolism
url http://goldhorde.ru/en/stati2022-1-12/
work_keys_str_mv AT akchurinamuftievanm anthropomorphismandzoomorphismintheornamentalartofthecrimeantatars