Is the city a cultural landscape? An attempt to analyze the city from the perspective of landscape aesthetics

This paper sets out to interpret the phrase ‘the city landscape’. Beginning with landscape aesthetics based on two categories — the picturesque and the sublime — the author attempts to demonstrate that a city can be interpreted in terms of a cultural landscape. This necessitates a re‑interpretation...

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Main Author: Beata FRYDRYCZAK
Format: Article
Language:deu
Published: Pedagogical University of Krakow 2015-12-01
Series:Argument
Online Access:http://argumentwp.vipserv.org/wp-content/uploads/2016/pdfv5n2/argument_v5_n2_Frydryczak.pdf
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author Beata FRYDRYCZAK
author_facet Beata FRYDRYCZAK
author_sort Beata FRYDRYCZAK
collection DOAJ
description This paper sets out to interpret the phrase ‘the city landscape’. Beginning with landscape aesthetics based on two categories — the picturesque and the sublime — the author attempts to demonstrate that a city can be interpreted in terms of a cultural landscape. This necessitates a re‑interpretation of the category of the sublime, whereby, through references to Edmund Burke, Theodor W. Adorno and Arnold Berleant, the sublime assumes the nature of a category which determines the existential situation of a person in the world. Here, the sublime provides people with an impulse to undertake efforts to fashion their surroundings and forge the essence of the living world. As such, the sublime also becomes a category that promotes social activities aimed at improving the quality of life in a city, such as the activities of ‘urban gardeners’.
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spelling doaj.art-3db432437cee439fbc73b01449c11cd62022-12-22T04:32:21ZdeuPedagogical University of KrakowArgument2083-66352084-10432015-12-0152359372Is the city a cultural landscape? An attempt to analyze the city from the perspective of landscape aestheticsBeata FRYDRYCZAK0Adam Mickiewicz University in PoznańThis paper sets out to interpret the phrase ‘the city landscape’. Beginning with landscape aesthetics based on two categories — the picturesque and the sublime — the author attempts to demonstrate that a city can be interpreted in terms of a cultural landscape. This necessitates a re‑interpretation of the category of the sublime, whereby, through references to Edmund Burke, Theodor W. Adorno and Arnold Berleant, the sublime assumes the nature of a category which determines the existential situation of a person in the world. Here, the sublime provides people with an impulse to undertake efforts to fashion their surroundings and forge the essence of the living world. As such, the sublime also becomes a category that promotes social activities aimed at improving the quality of life in a city, such as the activities of ‘urban gardeners’.http://argumentwp.vipserv.org/wp-content/uploads/2016/pdfv5n2/argument_v5_n2_Frydryczak.pdf
spellingShingle Beata FRYDRYCZAK
Is the city a cultural landscape? An attempt to analyze the city from the perspective of landscape aesthetics
Argument
title Is the city a cultural landscape? An attempt to analyze the city from the perspective of landscape aesthetics
title_full Is the city a cultural landscape? An attempt to analyze the city from the perspective of landscape aesthetics
title_fullStr Is the city a cultural landscape? An attempt to analyze the city from the perspective of landscape aesthetics
title_full_unstemmed Is the city a cultural landscape? An attempt to analyze the city from the perspective of landscape aesthetics
title_short Is the city a cultural landscape? An attempt to analyze the city from the perspective of landscape aesthetics
title_sort is the city a cultural landscape an attempt to analyze the city from the perspective of landscape aesthetics
url http://argumentwp.vipserv.org/wp-content/uploads/2016/pdfv5n2/argument_v5_n2_Frydryczak.pdf
work_keys_str_mv AT beatafrydryczak isthecityaculturallandscapeanattempttoanalyzethecityfromtheperspectiveoflandscapeaesthetics