Expropriating the Canon

This article traces some of the key compositional strategies deployed by experimental U.S. writer Kathy Acker (1947–1997). These include citations, pseudo-citations, translations, pseudo-translations, the ventriloquistic exploitation of other authorial signatures, or their figuration within Acker’s...

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Main Author: Salomé Honório
Format: Article
Language:English
Published: Centre for Comparative Studies 2023-12-01
Series:Compendium
Subjects:
Online Access:https://compendium.letras.ulisboa.pt/index.php/compendium/article/view/85
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author Salomé Honório
author_facet Salomé Honório
author_sort Salomé Honório
collection DOAJ
description This article traces some of the key compositional strategies deployed by experimental U.S. writer Kathy Acker (1947–1997). These include citations, pseudo-citations, translations, pseudo-translations, the ventriloquistic exploitation of other authorial signatures, or their figuration within Acker’s own narrative fiction. Given its polyvocal, multi-layered and palimpsestic composition, Blood and Guts in High School (1984) provides a strong example of the poetic and political efficacy of such concerted acts of textual transgression. Conceptually motivated, these speak to a programmatic critique of the forceful authority of the Western tradition, and of Western literature in particular (both as an institution and as a history). By keying into specific moments in Acker’s work, with a particular emphasis on Blood and Guts in High School, this article aims to demonstrate the importance of textual expropriation for Acker’s sustained invectives against the regulatory ideals that define the contemporary novel, along with those principles governing the legitimacy of literary authorship and literary creativity.
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spelling doaj.art-3e29633c00254c699b355269d9b8b5002024-01-24T12:03:28ZengCentre for Comparative StudiesCompendium2975-80252023-12-01410.51427/com.jcs.2023.0003Expropriating the CanonSalomé Honório0Institute of Social Sciences, University of LisbonThis article traces some of the key compositional strategies deployed by experimental U.S. writer Kathy Acker (1947–1997). These include citations, pseudo-citations, translations, pseudo-translations, the ventriloquistic exploitation of other authorial signatures, or their figuration within Acker’s own narrative fiction. Given its polyvocal, multi-layered and palimpsestic composition, Blood and Guts in High School (1984) provides a strong example of the poetic and political efficacy of such concerted acts of textual transgression. Conceptually motivated, these speak to a programmatic critique of the forceful authority of the Western tradition, and of Western literature in particular (both as an institution and as a history). By keying into specific moments in Acker’s work, with a particular emphasis on Blood and Guts in High School, this article aims to demonstrate the importance of textual expropriation for Acker’s sustained invectives against the regulatory ideals that define the contemporary novel, along with those principles governing the legitimacy of literary authorship and literary creativity. https://compendium.letras.ulisboa.pt/index.php/compendium/article/view/85Kathy Ackertextual expropriationintertextualitycitationalityplagiarismexperimental literature
spellingShingle Salomé Honório
Expropriating the Canon
Compendium
Kathy Acker
textual expropriation
intertextuality
citationality
plagiarism
experimental literature
title Expropriating the Canon
title_full Expropriating the Canon
title_fullStr Expropriating the Canon
title_full_unstemmed Expropriating the Canon
title_short Expropriating the Canon
title_sort expropriating the canon
topic Kathy Acker
textual expropriation
intertextuality
citationality
plagiarism
experimental literature
url https://compendium.letras.ulisboa.pt/index.php/compendium/article/view/85
work_keys_str_mv AT salomehonorio expropriatingthecanon