THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN

“Psalm 124” by Ion Coţofan is an example of a choral work with religious text designed for a concert hall and not a liturgical service, a sample of the perfect combination between text and the music accompanying it. In the case of this work, one cannot speak of a well-defined melody, but rather of a...

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Main Author: Aurel MURARU
Format: Article
Language:English
Published: Babeș-Bolyai University 2017-06-01
Series:Studia Universitatis Babeş-Bolyai. Musica
Subjects:
Online Access:http://193.231.18.162/index.php/subbmusica/article/view/2430
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author Aurel MURARU
author_facet Aurel MURARU
author_sort Aurel MURARU
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description “Psalm 124” by Ion Coţofan is an example of a choral work with religious text designed for a concert hall and not a liturgical service, a sample of the perfect combination between text and the music accompanying it. In the case of this work, one cannot speak of a well-defined melody, but rather of a general dramaturgy making a subtle shift from diatonicism, through chromaticism, towards ultra-chromaticism. The continuous pendulation between polyphony and heterophony, as well as the permanent oscillation between “sprechgesang” and microtonality give birth to a musical work full of tension and drama.
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spelling doaj.art-3eaf227f519740b1a559c1fddce43fec2024-01-05T09:41:49ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282017-06-0162110.24193/subbmusica.2017.1.19THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFANAurel MURARU0Univ. Lecturer PhD, Faculty of Social and Human Sciences, Department of Social and Human Sciences, Spiru Haret University, Bucharest, Romania. E-mail: aurelmuraru@yahoo.com“Psalm 124” by Ion Coţofan is an example of a choral work with religious text designed for a concert hall and not a liturgical service, a sample of the perfect combination between text and the music accompanying it. In the case of this work, one cannot speak of a well-defined melody, but rather of a general dramaturgy making a subtle shift from diatonicism, through chromaticism, towards ultra-chromaticism. The continuous pendulation between polyphony and heterophony, as well as the permanent oscillation between “sprechgesang” and microtonality give birth to a musical work full of tension and drama. http://193.231.18.162/index.php/subbmusica/article/view/2430polyphony, heterophony, sprechgesang, microtonality.
spellingShingle Aurel MURARU
THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN
Studia Universitatis Babeş-Bolyai. Musica
polyphony, heterophony, sprechgesang, microtonality.
title THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN
title_full THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN
title_fullStr THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN
title_full_unstemmed THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN
title_short THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN
title_sort symbiosis between microtonality and sprechgesang in psalm 124 by ion cotofan
topic polyphony, heterophony, sprechgesang, microtonality.
url http://193.231.18.162/index.php/subbmusica/article/view/2430
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