THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN
“Psalm 124” by Ion Coţofan is an example of a choral work with religious text designed for a concert hall and not a liturgical service, a sample of the perfect combination between text and the music accompanying it. In the case of this work, one cannot speak of a well-defined melody, but rather of a...
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Format: | Article |
Language: | English |
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Babeș-Bolyai University
2017-06-01
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Series: | Studia Universitatis Babeş-Bolyai. Musica |
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Online Access: | http://193.231.18.162/index.php/subbmusica/article/view/2430 |
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author | Aurel MURARU |
author_facet | Aurel MURARU |
author_sort | Aurel MURARU |
collection | DOAJ |
description | “Psalm 124” by Ion Coţofan is an example of a choral work with religious text designed for a concert hall and not a liturgical service, a sample of the perfect combination between text and the music accompanying it. In the case of this work, one cannot speak of a well-defined melody, but rather of a general dramaturgy making a subtle shift from diatonicism, through chromaticism, towards ultra-chromaticism. The continuous pendulation between polyphony and heterophony, as well as the permanent oscillation between “sprechgesang” and microtonality give birth to a musical work full of tension and drama. |
first_indexed | 2024-03-08T16:45:01Z |
format | Article |
id | doaj.art-3eaf227f519740b1a559c1fddce43fec |
institution | Directory Open Access Journal |
issn | 1844-4369 2065-9628 |
language | English |
last_indexed | 2024-03-08T16:45:01Z |
publishDate | 2017-06-01 |
publisher | Babeș-Bolyai University |
record_format | Article |
series | Studia Universitatis Babeş-Bolyai. Musica |
spelling | doaj.art-3eaf227f519740b1a559c1fddce43fec2024-01-05T09:41:49ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282017-06-0162110.24193/subbmusica.2017.1.19THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFANAurel MURARU0Univ. Lecturer PhD, Faculty of Social and Human Sciences, Department of Social and Human Sciences, Spiru Haret University, Bucharest, Romania. E-mail: aurelmuraru@yahoo.com“Psalm 124” by Ion Coţofan is an example of a choral work with religious text designed for a concert hall and not a liturgical service, a sample of the perfect combination between text and the music accompanying it. In the case of this work, one cannot speak of a well-defined melody, but rather of a general dramaturgy making a subtle shift from diatonicism, through chromaticism, towards ultra-chromaticism. The continuous pendulation between polyphony and heterophony, as well as the permanent oscillation between “sprechgesang” and microtonality give birth to a musical work full of tension and drama. http://193.231.18.162/index.php/subbmusica/article/view/2430polyphony, heterophony, sprechgesang, microtonality. |
spellingShingle | Aurel MURARU THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN Studia Universitatis Babeş-Bolyai. Musica polyphony, heterophony, sprechgesang, microtonality. |
title | THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN |
title_full | THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN |
title_fullStr | THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN |
title_full_unstemmed | THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN |
title_short | THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN |
title_sort | symbiosis between microtonality and sprechgesang in psalm 124 by ion cotofan |
topic | polyphony, heterophony, sprechgesang, microtonality. |
url | http://193.231.18.162/index.php/subbmusica/article/view/2430 |
work_keys_str_mv | AT aurelmuraru thesymbiosisbetweenmicrotonalityandsprechgesanginpsalm124byioncotofan AT aurelmuraru symbiosisbetweenmicrotonalityandsprechgesanginpsalm124byioncotofan |