ARCHITECTURAL SYMBOLISM AS INTERSEMIOTIC TRANSLATION: MALCOLM BRADBURY’S THE HISTORY MAN
Campus novels describe isolated, almost autarchic utopias. In Malcolm Bradbury’s The History Man, this utopia is projected into a dystopian dimension by a functional and transparent architecture. The epoch is that of radical sociologists who fight against tradition, memory, privacy, and subtlety. Th...
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| Format: | Article |
| Language: | English |
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Universidade de Brasília
2014-10-01
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| Series: | Belas Infiéis |
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| Online Access: | http://periodicos.unb.br/index.php/belasinfieis/article/view/11974 |