Kurbas and Poland: Discovering / Returning

This article reviews Polish edition of Les’ Kurbas theatrical texts (Łeś Kurbas, Pisma tetatralne, Warszawa 2021) focusing on the editor’s, Anna Korzeniewska-Bihun, thematic-cum-problematic principle of organizing Kurbas’s legacy, as well as the merits of her well-researched introduction to the volu...

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Main Author: Maiia Harbuziuk
Format: Article
Language:English
Published: Institute of Art of the Polish Academy of Sciences 2021-06-01
Series:Pamiętnik Teatralny
Subjects:
Online Access:https://czasopisma.ispan.pl/index.php/pt/article/view/821
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author Maiia Harbuziuk
author_facet Maiia Harbuziuk
author_sort Maiia Harbuziuk
collection DOAJ
description This article reviews Polish edition of Les’ Kurbas theatrical texts (Łeś Kurbas, Pisma tetatralne, Warszawa 2021) focusing on the editor’s, Anna Korzeniewska-Bihun, thematic-cum-problematic principle of organizing Kurbas’s legacy, as well as the merits of her well-researched introduction to the volume. The editor’s approach highlighted the conceptually important principles of Kurbas’s theatrical theory and , allowed her to cover his practical achievements and key performances, showing his worldview and the philosophical, creative, aesthetic, pedagogical, and organizational features of his legacy. The reviewer underlines the editor’s precision and consistency in outlining the key problems faced by Ukrainian theater in the first third of the twentieth century and the place of Les Kurbas in their solution. The edition opens up new horizons for research and discussion not only on Kurbas as a creator of Ukrainian avant-garde theater, but also on Polish-Ukrainians cultural ties.
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spelling doaj.art-3ef5710faf2945fa869fab66937c7b812022-12-22T04:10:46ZengInstitute of Art of the Polish Academy of SciencesPamiętnik Teatralny0031-05222658-28992021-06-0170210.36744/pt.821Kurbas and Poland: Discovering / ReturningMaiia Harbuziuk0Ivan Franko National University of LvivThis article reviews Polish edition of Les’ Kurbas theatrical texts (Łeś Kurbas, Pisma tetatralne, Warszawa 2021) focusing on the editor’s, Anna Korzeniewska-Bihun, thematic-cum-problematic principle of organizing Kurbas’s legacy, as well as the merits of her well-researched introduction to the volume. The editor’s approach highlighted the conceptually important principles of Kurbas’s theatrical theory and , allowed her to cover his practical achievements and key performances, showing his worldview and the philosophical, creative, aesthetic, pedagogical, and organizational features of his legacy. The reviewer underlines the editor’s precision and consistency in outlining the key problems faced by Ukrainian theater in the first third of the twentieth century and the place of Les Kurbas in their solution. The edition opens up new horizons for research and discussion not only on Kurbas as a creator of Ukrainian avant-garde theater, but also on Polish-Ukrainians cultural ties.https://czasopisma.ispan.pl/index.php/pt/article/view/821Les’ KurbasUkrainian avant-garde theaternational theaterPolish-Ukrainian theatrical relations
spellingShingle Maiia Harbuziuk
Kurbas and Poland: Discovering / Returning
Pamiętnik Teatralny
Les’ Kurbas
Ukrainian avant-garde theater
national theater
Polish-Ukrainian theatrical relations
title Kurbas and Poland: Discovering / Returning
title_full Kurbas and Poland: Discovering / Returning
title_fullStr Kurbas and Poland: Discovering / Returning
title_full_unstemmed Kurbas and Poland: Discovering / Returning
title_short Kurbas and Poland: Discovering / Returning
title_sort kurbas and poland discovering returning
topic Les’ Kurbas
Ukrainian avant-garde theater
national theater
Polish-Ukrainian theatrical relations
url https://czasopisma.ispan.pl/index.php/pt/article/view/821
work_keys_str_mv AT maiiaharbuziuk kurbasandpolanddiscoveringreturning