THE FACES OF THE DOUBLE IN MACHADO DE ASSIS AND AUGUSTO

Machado de Assis is one of the biggest writers of the realism is considered and possesss a transcendental workmanship, to the step that Augusto Meyer is more had access as critical of that I eat poet. This work intends to privilege a study of a story of chats of Machado and a poem that composes the...

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Main Author: Ana Paula da Costa
Format: Article
Language:Portuguese
Published: Universidade Estadual do Oeste do Paraná 2007-12-01
Series:Travessias
Subjects:
Online Access:http://e-revista.unioeste.br/index.php/travessias/article/view/2731
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author Ana Paula da Costa
author_facet Ana Paula da Costa
author_sort Ana Paula da Costa
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description Machado de Assis is one of the biggest writers of the realism is considered and possesss a transcendental workmanship, to the step that Augusto Meyer is more had access as critical of that I eat poet. This work intends to privilege a study of a story of chats of Machado and a poem that composes the poetry of Meyer, being that both portray one of the subjects most common since the classic antiquity until modernity contemporary, the myth of the double one, the constant search of itself exactly, through consequences, either in the mirror or the water. To look itself is to come across itself with the other, the double one, the cindida identity, in way that the meeting with one to be definitive only remains as one I curl, and the double one if it imposes as one of leitmotivs that they designate it chats and the poetical one evidenced.
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spelling doaj.art-3efb64ab67f4461c8e90b886b4b20f192022-12-21T19:13:07ZporUniversidade Estadual do Oeste do ParanáTravessias1982-59352007-12-01112470THE FACES OF THE DOUBLE IN MACHADO DE ASSIS AND AUGUSTOAna Paula da CostaMachado de Assis is one of the biggest writers of the realism is considered and possesss a transcendental workmanship, to the step that Augusto Meyer is more had access as critical of that I eat poet. This work intends to privilege a study of a story of chats of Machado and a poem that composes the poetry of Meyer, being that both portray one of the subjects most common since the classic antiquity until modernity contemporary, the myth of the double one, the constant search of itself exactly, through consequences, either in the mirror or the water. To look itself is to come across itself with the other, the double one, the cindida identity, in way that the meeting with one to be definitive only remains as one I curl, and the double one if it imposes as one of leitmotivs that they designate it chats and the poetical one evidenced.http://e-revista.unioeste.br/index.php/travessias/article/view/2731mitoduploreflexoprosapoesia.
spellingShingle Ana Paula da Costa
THE FACES OF THE DOUBLE IN MACHADO DE ASSIS AND AUGUSTO
Travessias
mito
duplo
reflexo
prosa
poesia.
title THE FACES OF THE DOUBLE IN MACHADO DE ASSIS AND AUGUSTO
title_full THE FACES OF THE DOUBLE IN MACHADO DE ASSIS AND AUGUSTO
title_fullStr THE FACES OF THE DOUBLE IN MACHADO DE ASSIS AND AUGUSTO
title_full_unstemmed THE FACES OF THE DOUBLE IN MACHADO DE ASSIS AND AUGUSTO
title_short THE FACES OF THE DOUBLE IN MACHADO DE ASSIS AND AUGUSTO
title_sort faces of the double in machado de assis and augusto
topic mito
duplo
reflexo
prosa
poesia.
url http://e-revista.unioeste.br/index.php/travessias/article/view/2731
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