Critical discourse analysis on gender relations: women's images in Sasak song
Sasak song as one form of artistic discourse is used as an instrument of male domination of women in gender relations through various forms of imaging that do not benefit women. The image is understood through the process and mechanism of work of critical discourse analysis. This study aims to revea...
| Main Authors: | , , , |
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| Format: | Article |
| Language: | Indonesian |
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Indonesian Institute for Counseling, Education and Therapy (IICET)
2019-12-01
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| Series: | Jurnal Konseling dan Pendidikan |
| Subjects: | |
| Online Access: | https://jurnal.konselingindonesia.com/index.php/jkp/article/view/392 |
| _version_ | 1826853923610165248 |
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| author | Khirjan Nahdi Usuludin Usuludin Herman Wijaya Muh. Taufiq |
| author_facet | Khirjan Nahdi Usuludin Usuludin Herman Wijaya Muh. Taufiq |
| author_sort | Khirjan Nahdi |
| collection | DOAJ |
| description | Sasak song as one form of artistic discourse is used as an instrument of male domination of women in gender relations through various forms of imaging that do not benefit women. The image is understood through the process and mechanism of work of critical discourse analysis. This study aims to reveal the image of women in the Sasak song by discovering the tendency of social construction in gender relations between men and women based on the principles of Critical Discourse Analysis. Through the position of the Sasak song text, the importance of the text, and the consequences of the text in the social reality of gender relations between men and women, found six images of women in the Sasak song text, namely women as male subordination; women as inferior, resigned women, cheap women, dependent women, and women without choice. As a text, discursive reasoning, and social reality, the results of the study show the tendency to dominate women who give birth to forms of discrimination. The six images of women in Sasak song texts are contained in works of art for the purpose of disguising the tendencies behind artistic elements, so that they are accepted as truth and reasonableness in history inherited between generations. |
| first_indexed | 2024-12-14T22:18:37Z |
| format | Article |
| id | doaj.art-3f498e4cd8c645db9536f4c78e62334d |
| institution | Directory Open Access Journal |
| issn | 2337-6740 2337-6880 |
| language | Indonesian |
| last_indexed | 2025-02-16T17:34:59Z |
| publishDate | 2019-12-01 |
| publisher | Indonesian Institute for Counseling, Education and Therapy (IICET) |
| record_format | Article |
| series | Jurnal Konseling dan Pendidikan |
| spelling | doaj.art-3f498e4cd8c645db9536f4c78e62334d2025-01-27T14:04:43ZindIndonesian Institute for Counseling, Education and Therapy (IICET)Jurnal Konseling dan Pendidikan2337-67402337-68802019-12-017311312210.29210/139200368Critical discourse analysis on gender relations: women's images in Sasak songKhirjan Nahdi0Usuludin Usuludin1Herman Wijaya2Muh. Taufiq3Universitas HamzanwadiUniversitas HamzanwadiUniversitas HamzanwadiUniversitas HamzanwadiSasak song as one form of artistic discourse is used as an instrument of male domination of women in gender relations through various forms of imaging that do not benefit women. The image is understood through the process and mechanism of work of critical discourse analysis. This study aims to reveal the image of women in the Sasak song by discovering the tendency of social construction in gender relations between men and women based on the principles of Critical Discourse Analysis. Through the position of the Sasak song text, the importance of the text, and the consequences of the text in the social reality of gender relations between men and women, found six images of women in the Sasak song text, namely women as male subordination; women as inferior, resigned women, cheap women, dependent women, and women without choice. As a text, discursive reasoning, and social reality, the results of the study show the tendency to dominate women who give birth to forms of discrimination. The six images of women in Sasak song texts are contained in works of art for the purpose of disguising the tendencies behind artistic elements, so that they are accepted as truth and reasonableness in history inherited between generations.https://jurnal.konselingindonesia.com/index.php/jkp/article/view/392sasak songgender relationswomen's imagediscourse analysis |
| spellingShingle | Khirjan Nahdi Usuludin Usuludin Herman Wijaya Muh. Taufiq Critical discourse analysis on gender relations: women's images in Sasak song Jurnal Konseling dan Pendidikan sasak song gender relations women's image discourse analysis |
| title | Critical discourse analysis on gender relations: women's images in Sasak song |
| title_full | Critical discourse analysis on gender relations: women's images in Sasak song |
| title_fullStr | Critical discourse analysis on gender relations: women's images in Sasak song |
| title_full_unstemmed | Critical discourse analysis on gender relations: women's images in Sasak song |
| title_short | Critical discourse analysis on gender relations: women's images in Sasak song |
| title_sort | critical discourse analysis on gender relations women s images in sasak song |
| topic | sasak song gender relations women's image discourse analysis |
| url | https://jurnal.konselingindonesia.com/index.php/jkp/article/view/392 |
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