Certification and preservation of artworks in digital environments
Reflecting about the documentary heritage of artists requires the consideration of archival, legal, historical-artistic and museological factors. If the analogue productions of artifacts and the correlated documentation have been studied, transferring the creative perspective into a digital environ...
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Format: | Article |
Language: | English |
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Firenze University Press
2022-05-01
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Series: | JLIS.it |
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Online Access: | http://www.jlis.it/index.php/jlis/article/view/467 |
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author | Concetta Damiani |
author_facet | Concetta Damiani |
author_sort | Concetta Damiani |
collection | DOAJ |
description |
Reflecting about the documentary heritage of artists requires the consideration of archival, legal, historical-artistic and museological factors. If the analogue productions of artifacts and the correlated documentation have been studied, transferring the creative perspective into a digital environment asks to face a reality in turmoil: the ways of expressing and representing contemporary art, in balance between digital and crypto art, require new visions in the production and management of works. In this redefinition of roles and relationships, which almost exclusively concern the documentary structure and the technological and digital components, document systems assume a primary role.
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first_indexed | 2024-04-12T16:30:54Z |
format | Article |
id | doaj.art-3f70a83ee58b4d5586d596dc8f45dfb8 |
institution | Directory Open Access Journal |
issn | 2038-1026 |
language | English |
last_indexed | 2024-04-12T16:30:54Z |
publishDate | 2022-05-01 |
publisher | Firenze University Press |
record_format | Article |
series | JLIS.it |
spelling | doaj.art-3f70a83ee58b4d5586d596dc8f45dfb82022-12-22T03:25:08ZengFirenze University PressJLIS.it2038-10262022-05-0113210.36253/jlis.it-467Certification and preservation of artworks in digital environmentsConcetta Damiani0University of Campania "Luigi Vanvitelli" Reflecting about the documentary heritage of artists requires the consideration of archival, legal, historical-artistic and museological factors. If the analogue productions of artifacts and the correlated documentation have been studied, transferring the creative perspective into a digital environment asks to face a reality in turmoil: the ways of expressing and representing contemporary art, in balance between digital and crypto art, require new visions in the production and management of works. In this redefinition of roles and relationships, which almost exclusively concern the documentary structure and the technological and digital components, document systems assume a primary role. http://www.jlis.it/index.php/jlis/article/view/467ArchivesArtistBlockchainCertificationPreservationNFT |
spellingShingle | Concetta Damiani Certification and preservation of artworks in digital environments JLIS.it Archives Artist Blockchain Certification Preservation NFT |
title | Certification and preservation of artworks in digital environments |
title_full | Certification and preservation of artworks in digital environments |
title_fullStr | Certification and preservation of artworks in digital environments |
title_full_unstemmed | Certification and preservation of artworks in digital environments |
title_short | Certification and preservation of artworks in digital environments |
title_sort | certification and preservation of artworks in digital environments |
topic | Archives Artist Blockchain Certification Preservation NFT |
url | http://www.jlis.it/index.php/jlis/article/view/467 |
work_keys_str_mv | AT concettadamiani certificationandpreservationofartworksindigitalenvironments |