IN THE LABYRYNTH OF THE “DEFINITIVE BOOK”: NOTES ON THE BORGESIAN INFLUENCE IN HOROZOVIC’S TALHE
Irfan Horozovic is a prose writer who uses the elements of fantastic and outworldly in his fiction. In this paper, we are attempting to point to the elements of the fantastic-poetic model by referring to the poetics, ethics and aesthetics of Irfan Horozovic’s body of work. The starting point on such...
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| Format: | Article |
| Language: | Bosnian |
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University of Tuzla, Faculty of Humanities and Social Sciences
2020-07-01
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| Series: | Društvene i Humanističke Studije |
| Subjects: | |
| Online Access: | http://www.dhs.ff.untz.ba/index.php/home/article/view/406 |
| _version_ | 1829471044146036736 |
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| author | Irma Marić |
| author_facet | Irma Marić |
| author_sort | Irma Marić |
| collection | DOAJ |
| description | Irfan Horozovic is a prose writer who uses the elements of fantastic and outworldly in his fiction. In this paper, we are attempting to point to the elements of the fantastic-poetic model by referring to the poetics, ethics and aesthetics of Irfan Horozovic’s body of work. The starting point on such a vertical line undoubtedly belongs to his work Talha or the Shadrvan Garden, which is also known in the literary criticism as the ‘definitive book’, that is, the book by which Horozovic, as a Borgesian, made his big entrance into the world of literature. |
| first_indexed | 2024-12-14T01:52:40Z |
| format | Article |
| id | doaj.art-3fd828cfb14f46268d10de23bb4223f3 |
| institution | Directory Open Access Journal |
| issn | 2490-3604 2490-3647 |
| language | Bosnian |
| last_indexed | 2024-12-14T01:52:40Z |
| publishDate | 2020-07-01 |
| publisher | University of Tuzla, Faculty of Humanities and Social Sciences |
| record_format | Article |
| series | Društvene i Humanističke Studije |
| spelling | doaj.art-3fd828cfb14f46268d10de23bb4223f32022-12-21T23:21:19ZbosUniversity of Tuzla, Faculty of Humanities and Social SciencesDruštvene i Humanističke Studije2490-36042490-36472020-07-0153 (12)7584331IN THE LABYRYNTH OF THE “DEFINITIVE BOOK”: NOTES ON THE BORGESIAN INFLUENCE IN HOROZOVIC’S TALHEIrma Marić0Dzemal Bijedic University of Mostar, Faculty of HumanitiesIrfan Horozovic is a prose writer who uses the elements of fantastic and outworldly in his fiction. In this paper, we are attempting to point to the elements of the fantastic-poetic model by referring to the poetics, ethics and aesthetics of Irfan Horozovic’s body of work. The starting point on such a vertical line undoubtedly belongs to his work Talha or the Shadrvan Garden, which is also known in the literary criticism as the ‘definitive book’, that is, the book by which Horozovic, as a Borgesian, made his big entrance into the world of literature.http://www.dhs.ff.untz.ba/index.php/home/article/view/406postmodernismfantastic poetic modeltalhe or the shadrvan gardenirfan horozovic |
| spellingShingle | Irma Marić IN THE LABYRYNTH OF THE “DEFINITIVE BOOK”: NOTES ON THE BORGESIAN INFLUENCE IN HOROZOVIC’S TALHE Društvene i Humanističke Studije postmodernism fantastic poetic model talhe or the shadrvan garden irfan horozovic |
| title | IN THE LABYRYNTH OF THE “DEFINITIVE BOOK”: NOTES ON THE BORGESIAN INFLUENCE IN HOROZOVIC’S TALHE |
| title_full | IN THE LABYRYNTH OF THE “DEFINITIVE BOOK”: NOTES ON THE BORGESIAN INFLUENCE IN HOROZOVIC’S TALHE |
| title_fullStr | IN THE LABYRYNTH OF THE “DEFINITIVE BOOK”: NOTES ON THE BORGESIAN INFLUENCE IN HOROZOVIC’S TALHE |
| title_full_unstemmed | IN THE LABYRYNTH OF THE “DEFINITIVE BOOK”: NOTES ON THE BORGESIAN INFLUENCE IN HOROZOVIC’S TALHE |
| title_short | IN THE LABYRYNTH OF THE “DEFINITIVE BOOK”: NOTES ON THE BORGESIAN INFLUENCE IN HOROZOVIC’S TALHE |
| title_sort | in the labyrynth of the definitive book notes on the borgesian influence in horozovic s talhe |
| topic | postmodernism fantastic poetic model talhe or the shadrvan garden irfan horozovic |
| url | http://www.dhs.ff.untz.ba/index.php/home/article/view/406 |
| work_keys_str_mv | AT irmamaric inthelabyrynthofthedefinitivebooknotesontheborgesianinfluenceinhorozovicstalhe |