SENTIRE, ESPRIMERE, SIMULARE: ARTE DELLA RECITAZIONE E SCIENZA DELLE PASSIONI NEL TARDO OTTOCENTO
This paper, by way of the destiny of Diderot’s Paradox of the Actor, aims to describe the framework of the question of affective dimension in the late 19th Century, investigated in its scientific, physiological, clinical and philosophical implications. A sort of hyperbole where the excessive...
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| Format: | Article |
| Language: | English |
| Published: |
S&F_scienzaefilosofia.it
2015-12-01
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| Series: | S&F_scienzaefilosofia.it |
| Subjects: | |
| Online Access: | http://www.scienzaefilosofia.com/wp-content/uploads/2018/03/res697498_11-RICCIO.pdf |
| Summary: | This paper, by way of the
destiny of Diderot’s Paradox of the
Actor, aims to describe the framework
of the question of affective dimension
in the late 19th Century, investigated
in its scientific, physiological,
clinical and philosophical
implications. A sort of hyperbole where
the excessive sensibilities of
hysterics, maybe simulated in
dramatizing acting, were obliged to
fall asleep, to be removed in order of
being replaced by a different
sensibility “performed” in virtuoso
sounds. |
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| ISSN: | 2036-2927 |