‘Figures in 3D’: Digital Perspectives on Cretan Bronze Age Figurines

The largest corpus of clay figurines from the Cretan Bronze Age comes from ritual mountain sites known as peak sanctuaries. In this paper, we explore how the ‛Figures in 3D’ project contributes to our understanding of these figurines, aiding in the study of the technologies of figurine construction...

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Main Authors: Morris Christine, Peatfield Alan, O’Neill Brendan
Format: Article
Language:English
Published: De Gruyter 2018-03-01
Series:Open Archaeology
Subjects:
Online Access:https://doi.org/10.1515/opar-2018-0003
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author Morris Christine
Peatfield Alan
O’Neill Brendan
author_facet Morris Christine
Peatfield Alan
O’Neill Brendan
author_sort Morris Christine
collection DOAJ
description The largest corpus of clay figurines from the Cretan Bronze Age comes from ritual mountain sites known as peak sanctuaries. In this paper, we explore how the ‛Figures in 3D’ project contributes to our understanding of these figurines, aiding in the study of the technologies of figurine construction and the typological analysis of distinctive styles. We discuss how the project has, more unexpectedly, begun to create new dialogues and opportunities for moving between the material and the digital by taking a multifaceted approach that combines the data from 3D models and 3D prints with experimental work in clay.
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spelling doaj.art-3ff65e983e6b4db78ed20b31a2f7f6e42022-12-21T18:34:16ZengDe GruyterOpen Archaeology2300-65602018-03-0141506110.1515/opar-2018-0003opar-2018-0003‘Figures in 3D’: Digital Perspectives on Cretan Bronze Age FigurinesMorris Christine0Peatfield Alan1O’Neill Brendan2Department of Classics, Trinity College Dublin, Dublin, IrelandDepartment of Archaeology, University College Dublin, Dublin, IrelandDepartment of Archaeology, University College Dublin, Dublin, IrelandThe largest corpus of clay figurines from the Cretan Bronze Age comes from ritual mountain sites known as peak sanctuaries. In this paper, we explore how the ‛Figures in 3D’ project contributes to our understanding of these figurines, aiding in the study of the technologies of figurine construction and the typological analysis of distinctive styles. We discuss how the project has, more unexpectedly, begun to create new dialogues and opportunities for moving between the material and the digital by taking a multifaceted approach that combines the data from 3D models and 3D prints with experimental work in clay.https://doi.org/10.1515/opar-2018-00033d scanning and modellingminoancretan bronze ageterracotta figurinesarchaeological representation
spellingShingle Morris Christine
Peatfield Alan
O’Neill Brendan
‘Figures in 3D’: Digital Perspectives on Cretan Bronze Age Figurines
Open Archaeology
3d scanning and modelling
minoan
cretan bronze age
terracotta figurines
archaeological representation
title ‘Figures in 3D’: Digital Perspectives on Cretan Bronze Age Figurines
title_full ‘Figures in 3D’: Digital Perspectives on Cretan Bronze Age Figurines
title_fullStr ‘Figures in 3D’: Digital Perspectives on Cretan Bronze Age Figurines
title_full_unstemmed ‘Figures in 3D’: Digital Perspectives on Cretan Bronze Age Figurines
title_short ‘Figures in 3D’: Digital Perspectives on Cretan Bronze Age Figurines
title_sort figures in 3d digital perspectives on cretan bronze age figurines
topic 3d scanning and modelling
minoan
cretan bronze age
terracotta figurines
archaeological representation
url https://doi.org/10.1515/opar-2018-0003
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