Ceguera y visión en El palacio de la risa de Germán Marín: escenificación del infierno en dictadura

This article analyzes the novel El palacio de la risa (1995) by Germán Marín as an infernal allegory of the dictatorship´s experience. The objective is to stage the figures of blindness and vision, understood as a sensory dialectic between the possibility of seeing and not seeing. In biopolitical te...

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Main Author: Gastón Carrasco Aguilar
Format: Article
Language:English
Published: Milano University Press 2021-03-01
Series:Altre Modernità
Subjects:
Online Access:https://riviste.unimi.it/index.php/AMonline/article/view/15319
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author Gastón Carrasco Aguilar
author_facet Gastón Carrasco Aguilar
author_sort Gastón Carrasco Aguilar
collection DOAJ
description This article analyzes the novel El palacio de la risa (1995) by Germán Marín as an infernal allegory of the dictatorship´s experience. The objective is to stage the figures of blindness and vision, understood as a sensory dialectic between the possibility of seeing and not seeing. In biopolitical terms, a metaphorical relationship is established that implies health/desease, capacity / disability, knowledge / ignorance and submission / resistance in the political prisoners of Villa Grimaldi, as well as in the story. These figures will allow us to propose, preliminary, that Marín's text is a testimony of personal, historical and cultural reconstruction that approaches new ways of seeing centered on perception and imagination. Being a situation conditioned by a dictatorial regime, the imaginary or worldview becomes infernal allegory.
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spelling doaj.art-3ffa21e3626b4f5d9c17074f3dda7cd72023-08-02T02:42:40ZengMilano University PressAltre Modernità2035-76802021-03-0110.13130/2035-7680/15319Ceguera y visión en El palacio de la risa de Germán Marín: escenificación del infierno en dictaduraGastón Carrasco Aguilar0Alberto Hurtado UniversityThis article analyzes the novel El palacio de la risa (1995) by Germán Marín as an infernal allegory of the dictatorship´s experience. The objective is to stage the figures of blindness and vision, understood as a sensory dialectic between the possibility of seeing and not seeing. In biopolitical terms, a metaphorical relationship is established that implies health/desease, capacity / disability, knowledge / ignorance and submission / resistance in the political prisoners of Villa Grimaldi, as well as in the story. These figures will allow us to propose, preliminary, that Marín's text is a testimony of personal, historical and cultural reconstruction that approaches new ways of seeing centered on perception and imagination. Being a situation conditioned by a dictatorial regime, the imaginary or worldview becomes infernal allegory.https://riviste.unimi.it/index.php/AMonline/article/view/15319chilean narrative; dictatorship; hell; biopolitics
spellingShingle Gastón Carrasco Aguilar
Ceguera y visión en El palacio de la risa de Germán Marín: escenificación del infierno en dictadura
Altre Modernità
chilean narrative; dictatorship; hell; biopolitics
title Ceguera y visión en El palacio de la risa de Germán Marín: escenificación del infierno en dictadura
title_full Ceguera y visión en El palacio de la risa de Germán Marín: escenificación del infierno en dictadura
title_fullStr Ceguera y visión en El palacio de la risa de Germán Marín: escenificación del infierno en dictadura
title_full_unstemmed Ceguera y visión en El palacio de la risa de Germán Marín: escenificación del infierno en dictadura
title_short Ceguera y visión en El palacio de la risa de Germán Marín: escenificación del infierno en dictadura
title_sort ceguera y vision en el palacio de la risa de german marin escenificacion del infierno en dictadura
topic chilean narrative; dictatorship; hell; biopolitics
url https://riviste.unimi.it/index.php/AMonline/article/view/15319
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