Ceguera y visión en El palacio de la risa de Germán Marín: escenificación del infierno en dictadura
This article analyzes the novel El palacio de la risa (1995) by Germán Marín as an infernal allegory of the dictatorship´s experience. The objective is to stage the figures of blindness and vision, understood as a sensory dialectic between the possibility of seeing and not seeing. In biopolitical te...
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| Format: | Article |
| Language: | English |
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Milano University Press
2021-03-01
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| Series: | Altre Modernità |
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| Online Access: | https://riviste.unimi.it/index.php/AMonline/article/view/15319 |