The Jewish modernist: Isaac Grünewald in Bertel Hintze’s art history

In the Finland-Swedish art historian and chef curator Bertel Hintze’s art historical handbook Modern konst: 1900-talet (Modern Art: Twentieth century), published in 1930, he introduce the Swedish artist Isaac Grünewald with a racial and anti-Semitic rhetoric. In this article Hintze’s rhetoric is ana...

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Main Author: Ludwig Qvarnström
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2016-12-01
Series:Journal of Art Historiography
Subjects:
Online Access:https://arthistoriography.files.wordpress.com/2016/11/qvarnstrom.pdf
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author Ludwig Qvarnström
author_facet Ludwig Qvarnström
author_sort Ludwig Qvarnström
collection DOAJ
description In the Finland-Swedish art historian and chef curator Bertel Hintze’s art historical handbook Modern konst: 1900-talet (Modern Art: Twentieth century), published in 1930, he introduce the Swedish artist Isaac Grünewald with a racial and anti-Semitic rhetoric. In this article Hintze’s rhetoric is analyzed in relation to a widespread everyday anti-Semitism and the language used in earlier art critical discussion on Grünewald’s art. The article concludes that earlier anti-Semitic expressions, visible in the negative and nationalistically oriented criticism, have been incorporated into Hintze’s ambivalent, but basically positive, characterization of Grünewald. In doing so Hintze translocate the anti-Semitic rhetoric from a negative and disparaging criticism into ‘normal’ art history, an example of how the voice of anti-Semitism have been built into the language and structure of Swedish art historiography, even where anti-Semitism was not the object.
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spelling doaj.art-3ffb59ec056f452b9edcfaafa02f1ba52022-12-22T01:25:40ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522016-12-011515LQ1The Jewish modernist: Isaac Grünewald in Bertel Hintze’s art historyLudwig Qvarnström0Lund UniversityIn the Finland-Swedish art historian and chef curator Bertel Hintze’s art historical handbook Modern konst: 1900-talet (Modern Art: Twentieth century), published in 1930, he introduce the Swedish artist Isaac Grünewald with a racial and anti-Semitic rhetoric. In this article Hintze’s rhetoric is analyzed in relation to a widespread everyday anti-Semitism and the language used in earlier art critical discussion on Grünewald’s art. The article concludes that earlier anti-Semitic expressions, visible in the negative and nationalistically oriented criticism, have been incorporated into Hintze’s ambivalent, but basically positive, characterization of Grünewald. In doing so Hintze translocate the anti-Semitic rhetoric from a negative and disparaging criticism into ‘normal’ art history, an example of how the voice of anti-Semitism have been built into the language and structure of Swedish art historiography, even where anti-Semitism was not the object.https://arthistoriography.files.wordpress.com/2016/11/qvarnstrom.pdfIsaac GrünewaldBertel Hintzeanti-SemitismSwedish Art Historymodernist narration
spellingShingle Ludwig Qvarnström
The Jewish modernist: Isaac Grünewald in Bertel Hintze’s art history
Journal of Art Historiography
Isaac Grünewald
Bertel Hintze
anti-Semitism
Swedish Art History
modernist narration
title The Jewish modernist: Isaac Grünewald in Bertel Hintze’s art history
title_full The Jewish modernist: Isaac Grünewald in Bertel Hintze’s art history
title_fullStr The Jewish modernist: Isaac Grünewald in Bertel Hintze’s art history
title_full_unstemmed The Jewish modernist: Isaac Grünewald in Bertel Hintze’s art history
title_short The Jewish modernist: Isaac Grünewald in Bertel Hintze’s art history
title_sort jewish modernist isaac grunewald in bertel hintze s art history
topic Isaac Grünewald
Bertel Hintze
anti-Semitism
Swedish Art History
modernist narration
url https://arthistoriography.files.wordpress.com/2016/11/qvarnstrom.pdf
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