Law and Popular Culture: Current Legal Issues Volume 7 edited by Michael Freeman
As Fiss has put it, academics are in law schools, ‘to study law and teach their students what they happen to discover’ (‘‘Of Law and the River,’ and Nihilism and Academic Freedom’ (1985) 35 Journal of Legal Education 1 at p 26). The idea that all questions about legal phenomena that can be asked sho...
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| Format: | Article |
| Language: | English |
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University of Westminster Press
2016-06-01
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| Series: | Entertainment and Sports Law Journal |
| Online Access: | https://www.entsportslawjournal.com/article/id/736/ |
| _version_ | 1811185855305351168 |
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| author | Tarik Sabry |
| author_facet | Tarik Sabry |
| author_sort | Tarik Sabry |
| collection | DOAJ |
| description | As Fiss has put it, academics are in law schools, ‘to study law and teach their students what they happen to discover’ (‘‘Of Law and the River,’ and Nihilism and Academic Freedom’ (1985) 35 Journal of Legal Education 1 at p 26). The idea that all questions about legal phenomena that can be asked should be asked, that nothing should remain unexplored, is slowly being accepted in modern university law schools. Institutions that were once the repositories of ephemeral case-notes and palimpsest textbooks are now beginning to bulge with extended analyses of an ever-increasing range of areas. Legal academics who were scribes have become explorers. Each day in the law school brings a new subject for enquiry and a new methodology to use in that enquiry. In this context an edited collection of essays on law and popular culture, one example amongst a number of recent or forthcoming publications on this subject, occasions surprise only at that the time that it has taken for law schools to turn their gaze in this particular direction. The 36 essays in this volume, together with Freeman’s introduction, testify to the intellectual depth, vitality and diversity that are already to be found in this area. At the same time they also serve to underscore the work that still needs to be done. Popular culture is franchising and with McDonaldization (Ahdar), Sendak’s ‘Where the Wild Things Are’ (Manderson), the outlaw country music of Johnny Cash (Ball), the cinema of Kiesloswski (Sherwin), the novels of JG Ballard (Williams and, separately, Gearey) and much more the essays range far and wide. |
| first_indexed | 2024-04-11T13:36:18Z |
| format | Article |
| id | doaj.art-40013e728d53469993c2bf65d335029c |
| institution | Directory Open Access Journal |
| issn | 1748-944X |
| language | English |
| last_indexed | 2024-04-11T13:36:18Z |
| publishDate | 2016-06-01 |
| publisher | University of Westminster Press |
| record_format | Article |
| series | Entertainment and Sports Law Journal |
| spelling | doaj.art-40013e728d53469993c2bf65d335029c2022-12-22T04:21:27ZengUniversity of Westminster PressEntertainment and Sports Law Journal1748-944X2016-06-014110.16997/eslj.107Law and Popular Culture: Current Legal Issues Volume 7 edited by Michael FreemanTarik Sabry0Communication and Media Research Institute University of WestminsterAs Fiss has put it, academics are in law schools, ‘to study law and teach their students what they happen to discover’ (‘‘Of Law and the River,’ and Nihilism and Academic Freedom’ (1985) 35 Journal of Legal Education 1 at p 26). The idea that all questions about legal phenomena that can be asked should be asked, that nothing should remain unexplored, is slowly being accepted in modern university law schools. Institutions that were once the repositories of ephemeral case-notes and palimpsest textbooks are now beginning to bulge with extended analyses of an ever-increasing range of areas. Legal academics who were scribes have become explorers. Each day in the law school brings a new subject for enquiry and a new methodology to use in that enquiry. In this context an edited collection of essays on law and popular culture, one example amongst a number of recent or forthcoming publications on this subject, occasions surprise only at that the time that it has taken for law schools to turn their gaze in this particular direction. The 36 essays in this volume, together with Freeman’s introduction, testify to the intellectual depth, vitality and diversity that are already to be found in this area. At the same time they also serve to underscore the work that still needs to be done. Popular culture is franchising and with McDonaldization (Ahdar), Sendak’s ‘Where the Wild Things Are’ (Manderson), the outlaw country music of Johnny Cash (Ball), the cinema of Kiesloswski (Sherwin), the novels of JG Ballard (Williams and, separately, Gearey) and much more the essays range far and wide.https://www.entsportslawjournal.com/article/id/736/ |
| spellingShingle | Tarik Sabry Law and Popular Culture: Current Legal Issues Volume 7 edited by Michael Freeman Entertainment and Sports Law Journal |
| title | Law and Popular Culture: Current Legal Issues Volume 7 edited by Michael Freeman |
| title_full | Law and Popular Culture: Current Legal Issues Volume 7 edited by Michael Freeman |
| title_fullStr | Law and Popular Culture: Current Legal Issues Volume 7 edited by Michael Freeman |
| title_full_unstemmed | Law and Popular Culture: Current Legal Issues Volume 7 edited by Michael Freeman |
| title_short | Law and Popular Culture: Current Legal Issues Volume 7 edited by Michael Freeman |
| title_sort | law and popular culture current legal issues volume 7 edited by michael freeman |
| url | https://www.entsportslawjournal.com/article/id/736/ |
| work_keys_str_mv | AT tariksabry lawandpopularculturecurrentlegalissuesvolume7editedbymichaelfreeman |