Comparing Stage Presence and Virtual Reality Presence

Reflecting on the impending release of new Head Mounted Display virtual reality (VR) technologies, the article examines definitions and techniques for digital presence, and compares them with research into stage presence. It opens with an outline of definitions of digital presence, comparing them wi...

Full description

Bibliographic Details
Main Author: Sebastian Xavier Samur
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2016-05-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:http://www.seer.ufrgs.br/index.php/presenca/article/view/58902
_version_ 1818790197209333760
author Sebastian Xavier Samur
author_facet Sebastian Xavier Samur
author_sort Sebastian Xavier Samur
collection DOAJ
description Reflecting on the impending release of new Head Mounted Display virtual reality (VR) technologies, the article examines definitions and techniques for digital presence, and compares them with research into stage presence. It opens with an outline of definitions of digital presence, comparing them with Cormac Power’s fictional, auratic, and literal modes of presence in performance. The article then looks at techniques used in VR and on stage to achieve presence. Finally, performance examples that use virtual reality technologies are presented. The article concludes that even if the technology falls short, discourse on digital presence is useful in providing insights into presence on stage.
first_indexed 2024-12-18T14:51:37Z
format Article
id doaj.art-400b6c151f0541eeb68609e64343db6e
institution Directory Open Access Journal
issn 2237-2660
2237-2660
language English
last_indexed 2024-12-18T14:51:37Z
publishDate 2016-05-01
publisher Universidade Federal do Rio Grande do Sul
record_format Article
series Revista Brasileira de Estudos da Presença
spelling doaj.art-400b6c151f0541eeb68609e64343db6e2022-12-21T21:04:09ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602237-26602016-05-0126242264Comparing Stage Presence and Virtual Reality PresenceSebastian Xavier Samur 0University of Toronto – Toronto, Canada Reflecting on the impending release of new Head Mounted Display virtual reality (VR) technologies, the article examines definitions and techniques for digital presence, and compares them with research into stage presence. It opens with an outline of definitions of digital presence, comparing them with Cormac Power’s fictional, auratic, and literal modes of presence in performance. The article then looks at techniques used in VR and on stage to achieve presence. Finally, performance examples that use virtual reality technologies are presented. The article concludes that even if the technology falls short, discourse on digital presence is useful in providing insights into presence on stage.http://www.seer.ufrgs.br/index.php/presenca/article/view/58902TheatrePerformanceDigital PerformancePresenceVirtual Reality
spellingShingle Sebastian Xavier Samur
Comparing Stage Presence and Virtual Reality Presence
Revista Brasileira de Estudos da Presença
Theatre
Performance
Digital Performance
Presence
Virtual Reality
title Comparing Stage Presence and Virtual Reality Presence
title_full Comparing Stage Presence and Virtual Reality Presence
title_fullStr Comparing Stage Presence and Virtual Reality Presence
title_full_unstemmed Comparing Stage Presence and Virtual Reality Presence
title_short Comparing Stage Presence and Virtual Reality Presence
title_sort comparing stage presence and virtual reality presence
topic Theatre
Performance
Digital Performance
Presence
Virtual Reality
url http://www.seer.ufrgs.br/index.php/presenca/article/view/58902
work_keys_str_mv AT sebastianxaviersamur comparingstagepresenceandvirtualrealitypresence