“No recuerdo cuándo comencé a ser yo misma”. Riti di passaggio e meccanismi di difesa in “Luciérnagas” (1993) di Ana María Matute

In 1955 Ana María Matute published En esta tierra, an expurgated version of Las luciérnagas, banned by the censorship due to references to the Spanish religious and moral sphere. In 1993, the author retrieved the initial text and published Luciérnagas. The novel, set in Barcelona, describes the expe...

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Main Author: Ivana Calceglia
Format: Article
Language:Spanish
Published: University of Bologna 2022-06-01
Series:Confluenze
Subjects:
Online Access:https://confluenze.unibo.it/article/view/12515
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author Ivana Calceglia
author_facet Ivana Calceglia
author_sort Ivana Calceglia
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description In 1955 Ana María Matute published En esta tierra, an expurgated version of Las luciérnagas, banned by the censorship due to references to the Spanish religious and moral sphere. In 1993, the author retrieved the initial text and published Luciérnagas. The novel, set in Barcelona, describes the experiences of three families during the Civil War. The essay analyzes the initiation process carried out by the younger characters, focusing on the rites of passage and the defense mechanisms implemented in the passage from childhood and adolescence to adulthood.
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spelling doaj.art-40112876dd024fceaf30149b3d0be1ad2022-12-22T03:07:59ZspaUniversity of BolognaConfluenze2036-09672022-06-0114146148610.6092/issn.2036-0967/1251510825“No recuerdo cuándo comencé a ser yo misma”. Riti di passaggio e meccanismi di difesa in “Luciérnagas” (1993) di Ana María MatuteIvana Calceglia0Università degli studi di Napoli "L'Orientale"In 1955 Ana María Matute published En esta tierra, an expurgated version of Las luciérnagas, banned by the censorship due to references to the Spanish religious and moral sphere. In 1993, the author retrieved the initial text and published Luciérnagas. The novel, set in Barcelona, describes the experiences of three families during the Civil War. The essay analyzes the initiation process carried out by the younger characters, focusing on the rites of passage and the defense mechanisms implemented in the passage from childhood and adolescence to adulthood.https://confluenze.unibo.it/article/view/12515ana maría matuteluciérnagasrites of passagedefense mechanismssilence
spellingShingle Ivana Calceglia
“No recuerdo cuándo comencé a ser yo misma”. Riti di passaggio e meccanismi di difesa in “Luciérnagas” (1993) di Ana María Matute
Confluenze
ana maría matute
luciérnagas
rites of passage
defense mechanisms
silence
title “No recuerdo cuándo comencé a ser yo misma”. Riti di passaggio e meccanismi di difesa in “Luciérnagas” (1993) di Ana María Matute
title_full “No recuerdo cuándo comencé a ser yo misma”. Riti di passaggio e meccanismi di difesa in “Luciérnagas” (1993) di Ana María Matute
title_fullStr “No recuerdo cuándo comencé a ser yo misma”. Riti di passaggio e meccanismi di difesa in “Luciérnagas” (1993) di Ana María Matute
title_full_unstemmed “No recuerdo cuándo comencé a ser yo misma”. Riti di passaggio e meccanismi di difesa in “Luciérnagas” (1993) di Ana María Matute
title_short “No recuerdo cuándo comencé a ser yo misma”. Riti di passaggio e meccanismi di difesa in “Luciérnagas” (1993) di Ana María Matute
title_sort no recuerdo cuando comence a ser yo misma riti di passaggio e meccanismi di difesa in luciernagas 1993 di ana maria matute
topic ana maría matute
luciérnagas
rites of passage
defense mechanisms
silence
url https://confluenze.unibo.it/article/view/12515
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