The pictoric art of Artemísia Gentileschi in the gendered views of history

This text intends to analyze two pictorials images: Il suicidio di Lucrezia (1640-1642) by Guido Reni and Lucrezia (1621) by Artemísia Gentileschi. We propose especially an investigation about what would had been supported the challenge temperament of Artemísia Gentileschi up the society and the mo...

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Main Author: Cristine Tedesco
Format: Article
Language:English
Published: Universidade Federal de Goiás 2012-06-01
Series:Visualidades
Subjects:
Online Access:https://www.revistas.ufg.br/VISUAL/article/view/23093
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author Cristine Tedesco
author_facet Cristine Tedesco
author_sort Cristine Tedesco
collection DOAJ
description This text intends to analyze two pictorials images: Il suicidio di Lucrezia (1640-1642) by Guido Reni and Lucrezia (1621) by Artemísia Gentileschi. We propose especially an investigation about what would had been supported the challenge temperament of Artemísia Gentileschi up the society and the moral of Rome in the 17th century. We understand that personal dramas, especially the torture of the Sibyls, suffered by the painter when she was young, the gynecological exam of her body and the fight for a place in the world of artistic creation, are events that marked the life and the works of Artemísia. Therefore, we carry out an interdisciplinary study guided by the concept of gender.
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spelling doaj.art-404a108916b647d0819838428b3e26442022-12-22T01:47:37ZengUniversidade Federal de GoiásVisualidades1679-67482317-67842012-06-0110120522510.5216/vis.v10i1.23093The pictoric art of Artemísia Gentileschi in the gendered views of historyCristine Tedesco0Universidade Federal de Pelotas, BrasilThis text intends to analyze two pictorials images: Il suicidio di Lucrezia (1640-1642) by Guido Reni and Lucrezia (1621) by Artemísia Gentileschi. We propose especially an investigation about what would had been supported the challenge temperament of Artemísia Gentileschi up the society and the moral of Rome in the 17th century. We understand that personal dramas, especially the torture of the Sibyls, suffered by the painter when she was young, the gynecological exam of her body and the fight for a place in the world of artistic creation, are events that marked the life and the works of Artemísia. Therefore, we carry out an interdisciplinary study guided by the concept of gender.https://www.revistas.ufg.br/VISUAL/article/view/23093ArtsgenderArtemísia Gentileschi
spellingShingle Cristine Tedesco
The pictoric art of Artemísia Gentileschi in the gendered views of history
Visualidades
Arts
gender
Artemísia Gentileschi
title The pictoric art of Artemísia Gentileschi in the gendered views of history
title_full The pictoric art of Artemísia Gentileschi in the gendered views of history
title_fullStr The pictoric art of Artemísia Gentileschi in the gendered views of history
title_full_unstemmed The pictoric art of Artemísia Gentileschi in the gendered views of history
title_short The pictoric art of Artemísia Gentileschi in the gendered views of history
title_sort pictoric art of artemisia gentileschi in the gendered views of history
topic Arts
gender
Artemísia Gentileschi
url https://www.revistas.ufg.br/VISUAL/article/view/23093
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