The pictoric art of Artemísia Gentileschi in the gendered views of history
This text intends to analyze two pictorials images: Il suicidio di Lucrezia (1640-1642) by Guido Reni and Lucrezia (1621) by Artemísia Gentileschi. We propose especially an investigation about what would had been supported the challenge temperament of Artemísia Gentileschi up the society and the mo...
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Format: | Article |
Language: | English |
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Universidade Federal de Goiás
2012-06-01
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Series: | Visualidades |
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Online Access: | https://www.revistas.ufg.br/VISUAL/article/view/23093 |
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author | Cristine Tedesco |
author_facet | Cristine Tedesco |
author_sort | Cristine Tedesco |
collection | DOAJ |
description | This text intends to analyze two pictorials images: Il suicidio di Lucrezia (1640-1642) by Guido Reni and Lucrezia (1621) by Artemísia Gentileschi. We propose especially an investigation about what would had been supported the challenge temperament of Artemísia Gentileschi up the society and the moral of Rome in the 17th century. We understand that personal dramas, especially the torture of the Sibyls, suffered by the painter when she was young, the gynecological exam of her body and the fight for a place in the world of artistic creation, are events that marked the life and the works of Artemísia. Therefore, we carry out an interdisciplinary study guided by the concept of gender. |
first_indexed | 2024-12-10T13:12:59Z |
format | Article |
id | doaj.art-404a108916b647d0819838428b3e2644 |
institution | Directory Open Access Journal |
issn | 1679-6748 2317-6784 |
language | English |
last_indexed | 2024-12-10T13:12:59Z |
publishDate | 2012-06-01 |
publisher | Universidade Federal de Goiás |
record_format | Article |
series | Visualidades |
spelling | doaj.art-404a108916b647d0819838428b3e26442022-12-22T01:47:37ZengUniversidade Federal de GoiásVisualidades1679-67482317-67842012-06-0110120522510.5216/vis.v10i1.23093The pictoric art of Artemísia Gentileschi in the gendered views of historyCristine Tedesco0Universidade Federal de Pelotas, BrasilThis text intends to analyze two pictorials images: Il suicidio di Lucrezia (1640-1642) by Guido Reni and Lucrezia (1621) by Artemísia Gentileschi. We propose especially an investigation about what would had been supported the challenge temperament of Artemísia Gentileschi up the society and the moral of Rome in the 17th century. We understand that personal dramas, especially the torture of the Sibyls, suffered by the painter when she was young, the gynecological exam of her body and the fight for a place in the world of artistic creation, are events that marked the life and the works of Artemísia. Therefore, we carry out an interdisciplinary study guided by the concept of gender.https://www.revistas.ufg.br/VISUAL/article/view/23093ArtsgenderArtemísia Gentileschi |
spellingShingle | Cristine Tedesco The pictoric art of Artemísia Gentileschi in the gendered views of history Visualidades Arts gender Artemísia Gentileschi |
title | The pictoric art of Artemísia Gentileschi in the gendered views of history |
title_full | The pictoric art of Artemísia Gentileschi in the gendered views of history |
title_fullStr | The pictoric art of Artemísia Gentileschi in the gendered views of history |
title_full_unstemmed | The pictoric art of Artemísia Gentileschi in the gendered views of history |
title_short | The pictoric art of Artemísia Gentileschi in the gendered views of history |
title_sort | pictoric art of artemisia gentileschi in the gendered views of history |
topic | Arts gender Artemísia Gentileschi |
url | https://www.revistas.ufg.br/VISUAL/article/view/23093 |
work_keys_str_mv | AT cristinetedesco thepictoricartofartemisiagentileschiinthegenderedviewsofhistory AT cristinetedesco pictoricartofartemisiagentileschiinthegenderedviewsofhistory |