Métaphores liquides chez Zola ou la mer dans tous ses états

Having first taken shape in 1880 and written in 1883, La joie de vivre marks the return of the author to a particular setting, a small fishing village on the coast of Normandy, and to a crisis, the threat of the sea, the overwhelming weight of nature over man. For its constantly renewed aspect, the...

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Main Author: Ana Clara Santos
Format: Article
Language:English
Published: Association Portugaise d'Etudes Françaises 2009-01-01
Series:Carnets
Subjects:
Online Access:http://journals.openedition.org/carnets/3085
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author Ana Clara Santos
author_facet Ana Clara Santos
author_sort Ana Clara Santos
collection DOAJ
description Having first taken shape in 1880 and written in 1883, La joie de vivre marks the return of the author to a particular setting, a small fishing village on the coast of Normandy, and to a crisis, the threat of the sea, the overwhelming weight of nature over man. For its constantly renewed aspect, the sea is what fascinates. A source of contemplation, océan-spectacle, the sea turns, for its theatrical character, into a source both of pleasure and of death. A symbol of the archetypal struggle of man against the collective unconscious, translated through the illusion of its power over unrestrained nature, the maritime landscape in Zola also establishes games of correspondence with the feminine imagery. The obsession of the sea tides, a sign of devouring and dissolution, is overcome by the description of the period of the feminine character and of the cycles of her body in a metaphor structured around the liquid element. Both are sources of transformations and perpetual renewal, in the pendulous regulation which leads straight to a deep reflection on life and death.
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spelling doaj.art-4080fa04a86d470caae71a76b96cbc472022-12-22T01:55:15ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982009-01-01116317410.4000/carnets.3085Métaphores liquides chez Zola ou la mer dans tous ses étatsAna Clara SantosHaving first taken shape in 1880 and written in 1883, La joie de vivre marks the return of the author to a particular setting, a small fishing village on the coast of Normandy, and to a crisis, the threat of the sea, the overwhelming weight of nature over man. For its constantly renewed aspect, the sea is what fascinates. A source of contemplation, océan-spectacle, the sea turns, for its theatrical character, into a source both of pleasure and of death. A symbol of the archetypal struggle of man against the collective unconscious, translated through the illusion of its power over unrestrained nature, the maritime landscape in Zola also establishes games of correspondence with the feminine imagery. The obsession of the sea tides, a sign of devouring and dissolution, is overcome by the description of the period of the feminine character and of the cycles of her body in a metaphor structured around the liquid element. Both are sources of transformations and perpetual renewal, in the pendulous regulation which leads straight to a deep reflection on life and death.http://journals.openedition.org/carnets/3085ZolaNaturalismSeaLifeDeath
spellingShingle Ana Clara Santos
Métaphores liquides chez Zola ou la mer dans tous ses états
Carnets
Zola
Naturalism
Sea
Life
Death
title Métaphores liquides chez Zola ou la mer dans tous ses états
title_full Métaphores liquides chez Zola ou la mer dans tous ses états
title_fullStr Métaphores liquides chez Zola ou la mer dans tous ses états
title_full_unstemmed Métaphores liquides chez Zola ou la mer dans tous ses états
title_short Métaphores liquides chez Zola ou la mer dans tous ses états
title_sort metaphores liquides chez zola ou la mer dans tous ses etats
topic Zola
Naturalism
Sea
Life
Death
url http://journals.openedition.org/carnets/3085
work_keys_str_mv AT anaclarasantos metaphoresliquideschezzolaoulamerdanstoussesetats