« Une jeune femme, en robe de mérinos bleu... »
Based on the analysis of the first meeting scenes in two film adaptations of Madame Bovary — Claude Chabrol’s film with Isabelle Huppert (1991) and Sophie Barthes’ film with Mia Wasikowska (2014) — this article sets out to highlight the recomposition of the heroine they propose, as well as the recon...
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| Format: | Article |
| Language: | fra |
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Institut des Textes & Manuscrits Modernes (ITEM)
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| Series: | Flaubert: Revue Critique et Génétique |
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| Online Access: | https://journals.openedition.org/flaubert/5296 |
| Summary: | Based on the analysis of the first meeting scenes in two film adaptations of Madame Bovary — Claude Chabrol’s film with Isabelle Huppert (1991) and Sophie Barthes’ film with Mia Wasikowska (2014) — this article sets out to highlight the recomposition of the heroine they propose, as well as the reconfiguration of plot and narrative stakes. |
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| ISSN: | 1969-6191 |