L’immagine-tempo da Warburg a Benjamin e Adorno
Starting from Warburg, the distinguishing mark of an image, considered as identity-difference of visible and invisible, is its offering itself as an implementation of a temporality, and at the same time of a memory that is immanent in the sensible structure of the image. It’s what we find both in Be...
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| Format: | Article |
| Language: | English |
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Firenze University Press
2012-05-01
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| Series: | Aisthesis |
| Subjects: | |
| Online Access: | https://oajournals.fupress.net/index.php/aisthesis/article/view/518 |
| _version_ | 1818981393906008064 |
|---|---|
| author | Giuseppe Di Giacomo |
| author_facet | Giuseppe Di Giacomo |
| author_sort | Giuseppe Di Giacomo |
| collection | DOAJ |
| description | Starting from Warburg, the distinguishing mark of an image, considered as identity-difference of visible and invisible, is its offering itself as an implementation of a temporality, and at the same time of a memory that is immanent in the sensible structure of the image. It’s what we find both in Benjamin and in Adorno: in both cases, it is just because the image is marked by a “internal time” that it is able to have a critical function towards reality, and at the same time an utopian character that is all the same with its non-renounceable testimonial task. |
| first_indexed | 2024-12-20T17:30:37Z |
| format | Article |
| id | doaj.art-40b5856e1c704b6a92d67ca1e5646f80 |
| institution | Directory Open Access Journal |
| issn | 2035-8466 |
| language | English |
| last_indexed | 2024-12-20T17:30:37Z |
| publishDate | 2012-05-01 |
| publisher | Firenze University Press |
| record_format | Article |
| series | Aisthesis |
| spelling | doaj.art-40b5856e1c704b6a92d67ca1e5646f802022-12-21T19:31:23ZengFirenze University PressAisthesis2035-84662012-05-0132L’immagine-tempo da Warburg a Benjamin e AdornoGiuseppe Di GiacomoStarting from Warburg, the distinguishing mark of an image, considered as identity-difference of visible and invisible, is its offering itself as an implementation of a temporality, and at the same time of a memory that is immanent in the sensible structure of the image. It’s what we find both in Benjamin and in Adorno: in both cases, it is just because the image is marked by a “internal time” that it is able to have a critical function towards reality, and at the same time an utopian character that is all the same with its non-renounceable testimonial task.https://oajournals.fupress.net/index.php/aisthesis/article/view/518ImageWarburgBenjamin |
| spellingShingle | Giuseppe Di Giacomo L’immagine-tempo da Warburg a Benjamin e Adorno Aisthesis Image Warburg Benjamin |
| title | L’immagine-tempo da Warburg a Benjamin e Adorno |
| title_full | L’immagine-tempo da Warburg a Benjamin e Adorno |
| title_fullStr | L’immagine-tempo da Warburg a Benjamin e Adorno |
| title_full_unstemmed | L’immagine-tempo da Warburg a Benjamin e Adorno |
| title_short | L’immagine-tempo da Warburg a Benjamin e Adorno |
| title_sort | l immagine tempo da warburg a benjamin e adorno |
| topic | Image Warburg Benjamin |
| url | https://oajournals.fupress.net/index.php/aisthesis/article/view/518 |
| work_keys_str_mv | AT giuseppedigiacomo limmaginetempodawarburgabenjamineadorno |