9/11 Revisited
Over the last two decades, 9/11 established itself as an object of interest for the academia, news outlets and the arts, generating a multitude of cultural artefacts that allow us, collectively, to revisit the event, reread it in different circumstances, and, ultimately, rewrite it. Employing rewr...
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Format: | Article |
Language: | English |
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Imprensa da Universidade de Coimbra
2023-11-01
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Series: | Revista de Estudos Literários |
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Online Access: | https://impactum-journals.uc.pt/rel/article/view/13123 |
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author | Diana Gonçalves |
author_facet | Diana Gonçalves |
author_sort | Diana Gonçalves |
collection | DOAJ |
description | Over the last two decades, 9/11 established itself as an object of interest for the academia, news outlets and the arts, generating a multitude of cultural artefacts that allow us, collectively, to revisit the event, reread it in different circumstances, and, ultimately, rewrite it.
Employing rewriting as a metaphor for a continuous process of representation and revision, this article explores the remediation of the terrorist attack of 2001 and how representations of the event across time and different media help consolidate its place in cultural memory. With this purpose in mind, it analyzes John Updike’s Terrorist (2006) and TV series Designated Survivor (2016) and discusses them as after-effects of 9/11.
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first_indexed | 2024-03-09T14:20:29Z |
format | Article |
id | doaj.art-40e51bb9b2bc4960bf9d2e3873e72fef |
institution | Directory Open Access Journal |
issn | 2182-1526 2183-847X |
language | English |
last_indexed | 2024-03-09T14:20:29Z |
publishDate | 2023-11-01 |
publisher | Imprensa da Universidade de Coimbra |
record_format | Article |
series | Revista de Estudos Literários |
spelling | doaj.art-40e51bb9b2bc4960bf9d2e3873e72fef2023-11-28T14:43:22ZengImprensa da Universidade de CoimbraRevista de Estudos Literários2182-15262183-847X2023-11-011310.14195/2183-847X_13_39/11 RevisitedDiana Gonçalves0Catholic University of PortugalOver the last two decades, 9/11 established itself as an object of interest for the academia, news outlets and the arts, generating a multitude of cultural artefacts that allow us, collectively, to revisit the event, reread it in different circumstances, and, ultimately, rewrite it. Employing rewriting as a metaphor for a continuous process of representation and revision, this article explores the remediation of the terrorist attack of 2001 and how representations of the event across time and different media help consolidate its place in cultural memory. With this purpose in mind, it analyzes John Updike’s Terrorist (2006) and TV series Designated Survivor (2016) and discusses them as after-effects of 9/11. https://impactum-journals.uc.pt/rel/article/view/13123rewritingcultural memoryremediationterrorism |
spellingShingle | Diana Gonçalves 9/11 Revisited Revista de Estudos Literários rewriting cultural memory remediation terrorism |
title | 9/11 Revisited |
title_full | 9/11 Revisited |
title_fullStr | 9/11 Revisited |
title_full_unstemmed | 9/11 Revisited |
title_short | 9/11 Revisited |
title_sort | 9 11 revisited |
topic | rewriting cultural memory remediation terrorism |
url | https://impactum-journals.uc.pt/rel/article/view/13123 |
work_keys_str_mv | AT dianagoncalves 911revisited |