NARRATIVE AND MEMORY IN LAVOURA ARCAICA
We will show in this study an interpretation of narrative and memory in the work Lavoura Arcaica (1975) of writer Raduan Nassar to investigate the treatment forms present in the literary narrative translation to the cinema narrative LavouraArcaica (2001), directed by Luiz Fernando Carvalho. The stu...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Portuguese |
| Published: |
Universidade Estadual do Oeste do Paraná
2007-12-01
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| Series: | Travessias |
| Subjects: | |
| Online Access: | http://e-revista.unioeste.br/index.php/travessias/article/view/2720 |
| _version_ | 1819047412183859200 |
|---|---|
| author | Deise Ellen Piatti |
| author_facet | Deise Ellen Piatti |
| author_sort | Deise Ellen Piatti |
| collection | DOAJ |
| description | We will show in this study an interpretation of narrative and memory in
the work Lavoura Arcaica (1975) of writer Raduan Nassar to investigate the treatment forms present in the literary narrative translation to the cinema narrative LavouraArcaica
(2001), directed by Luiz Fernando Carvalho. The study has passed through the artstic creations of a common theme, because we recognize at both the works, the
presence folmal and thematic motives which are peculiar to other art works: visuality.
The text organization revelates, above all, several discourses and the political aesthetic
project of the text writer and film director. So, while interpreting Lavoura Arcaica, we shall focus the narratives considering them as a discourse made by several voices which
are crocks and shrapnels of many times and places and, they are fiction creation, a
language fact and a discourse produced and controlled by a producer source; whose
literary and languages dont exceed a dictatorial action in the narrative condution, but
they have mystery; and they depend not only on the reader attention to be built as a
meaning. They depend, above all, on its memory and soul. So, our intention is to show
that, while interpreting a text, if it is literary, filmed, pictoric, etc., it is necessary to seek
the soul of words and images as well as the forme as they are placed and to pay attetion
to what the aesthetic form adopted is opposed because an element is also constituted by
what it is not. |
| first_indexed | 2024-12-21T10:59:57Z |
| format | Article |
| id | doaj.art-40f3b96af43e4de18403e706f93293df |
| institution | Directory Open Access Journal |
| issn | 1982-5935 |
| language | Portuguese |
| last_indexed | 2024-12-21T10:59:57Z |
| publishDate | 2007-12-01 |
| publisher | Universidade Estadual do Oeste do Paraná |
| record_format | Article |
| series | Travessias |
| spelling | doaj.art-40f3b96af43e4de18403e706f93293df2022-12-21T19:06:22ZporUniversidade Estadual do Oeste do ParanáTravessias1982-59352007-12-01112460NARRATIVE AND MEMORY IN LAVOURA ARCAICADeise Ellen PiattiWe will show in this study an interpretation of narrative and memory in the work Lavoura Arcaica (1975) of writer Raduan Nassar to investigate the treatment forms present in the literary narrative translation to the cinema narrative LavouraArcaica (2001), directed by Luiz Fernando Carvalho. The study has passed through the artstic creations of a common theme, because we recognize at both the works, the presence folmal and thematic motives which are peculiar to other art works: visuality. The text organization revelates, above all, several discourses and the political aesthetic project of the text writer and film director. So, while interpreting Lavoura Arcaica, we shall focus the narratives considering them as a discourse made by several voices which are crocks and shrapnels of many times and places and, they are fiction creation, a language fact and a discourse produced and controlled by a producer source; whose literary and languages dont exceed a dictatorial action in the narrative condution, but they have mystery; and they depend not only on the reader attention to be built as a meaning. They depend, above all, on its memory and soul. So, our intention is to show that, while interpreting a text, if it is literary, filmed, pictoric, etc., it is necessary to seek the soul of words and images as well as the forme as they are placed and to pay attetion to what the aesthetic form adopted is opposed because an element is also constituted by what it is not.http://e-revista.unioeste.br/index.php/travessias/article/view/2720narraçãomemória estéticalavoura arcaica. |
| spellingShingle | Deise Ellen Piatti NARRATIVE AND MEMORY IN LAVOURA ARCAICA Travessias narração memória estética lavoura arcaica. |
| title | NARRATIVE AND MEMORY IN LAVOURA ARCAICA |
| title_full | NARRATIVE AND MEMORY IN LAVOURA ARCAICA |
| title_fullStr | NARRATIVE AND MEMORY IN LAVOURA ARCAICA |
| title_full_unstemmed | NARRATIVE AND MEMORY IN LAVOURA ARCAICA |
| title_short | NARRATIVE AND MEMORY IN LAVOURA ARCAICA |
| title_sort | narrative and memory in lavoura arcaica |
| topic | narração memória estética lavoura arcaica. |
| url | http://e-revista.unioeste.br/index.php/travessias/article/view/2720 |
| work_keys_str_mv | AT deiseellenpiatti narrativeandmemoryinlavouraarcaica |