0293 A Case Study in Plunder and Restitution
In this article I examine the methodology and resources used to trace the provenance of three ancient Greek and Roman sculptures in the collection of the Museum of Fine Arts, Boston (MFA). They belonged to Karol Lanckoroński (1848–1933) of Vienna, were looted during the Nazi era, and were returned t...
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Format: | Article |
Language: | deu |
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International Association of Research Institutes in the History of Art (RIHA)
2023-09-01
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Series: | RIHA Journal |
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Online Access: | https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/92737 |
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author | Victoria S. Reed |
author_facet | Victoria S. Reed |
author_sort | Victoria S. Reed |
collection | DOAJ |
description | In this article I examine the methodology and resources used to trace the provenance of three ancient Greek and Roman sculptures in the collection of the Museum of Fine Arts, Boston (MFA). They belonged to Karol Lanckoroński (1848–1933) of Vienna, were looted during the Nazi era, and were returned to the Lanckoroński family following World War II. In discussing these sculptures, I consider the relative challenges of researching ancient works of art compared to Modern and Early Modern European paintings and sculptures, drawing on other case studies of Nazi-era looting from the collection of the MFA. |
first_indexed | 2024-03-09T07:04:59Z |
format | Article |
id | doaj.art-4105f770c0d048a5b507486326bf337b |
institution | Directory Open Access Journal |
issn | 2190-3328 |
language | deu |
last_indexed | 2024-03-09T07:04:59Z |
publishDate | 2023-09-01 |
publisher | International Association of Research Institutes in the History of Art (RIHA) |
record_format | Article |
series | RIHA Journal |
spelling | doaj.art-4105f770c0d048a5b507486326bf337b2023-12-03T09:43:54ZdeuInternational Association of Research Institutes in the History of Art (RIHA)RIHA Journal2190-33282023-09-0110.11588/riha.2022.2.927371454570293 A Case Study in Plunder and RestitutionVictoria S. Reed0Museum of Fine Arts, BostonIn this article I examine the methodology and resources used to trace the provenance of three ancient Greek and Roman sculptures in the collection of the Museum of Fine Arts, Boston (MFA). They belonged to Karol Lanckoroński (1848–1933) of Vienna, were looted during the Nazi era, and were returned to the Lanckoroński family following World War II. In discussing these sculptures, I consider the relative challenges of researching ancient works of art compared to Modern and Early Modern European paintings and sculptures, drawing on other case studies of Nazi-era looting from the collection of the MFA.https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/92737provenance researchnazi-era lootinglanckorońskiantiquitiesrestitution |
spellingShingle | Victoria S. Reed 0293 A Case Study in Plunder and Restitution RIHA Journal provenance research nazi-era looting lanckoroński antiquities restitution |
title | 0293 A Case Study in Plunder and Restitution |
title_full | 0293 A Case Study in Plunder and Restitution |
title_fullStr | 0293 A Case Study in Plunder and Restitution |
title_full_unstemmed | 0293 A Case Study in Plunder and Restitution |
title_short | 0293 A Case Study in Plunder and Restitution |
title_sort | 0293 a case study in plunder and restitution |
topic | provenance research nazi-era looting lanckoroński antiquities restitution |
url | https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/92737 |
work_keys_str_mv | AT victoriasreed 0293acasestudyinplunderandrestitution |