<i>Guiomar do Porto</i> or reading without losing the thread
The Auto de Guiomar do Porto must be placed at crossroads of the Renaissance Auto and the sequels of the Tragicomedy of Fernando de Rojas. My analysis is based on the concept of «representation», understood in three different ways. In a first theatrical sense, I will point out the similarities and d...
| Main Author: | |
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| Format: | Article |
| Language: | English |
| Published: |
Universidad de Valencia, Departamento de Filología Española
2021-01-01
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| Series: | Celestinesca |
| Subjects: | |
| Online Access: | https://ojs.uv.es/index.php/celestinesca/article/view/20238 |
| _version_ | 1797331609797525504 |
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| author | Manuel Calderón Calderón |
| author_facet | Manuel Calderón Calderón |
| author_sort | Manuel Calderón Calderón |
| collection | DOAJ |
| description | The Auto de Guiomar do Porto must be placed at crossroads of the Renaissance Auto and the sequels of the Tragicomedy of Fernando de Rojas. My analysis is based on the concept of «representation», understood in three different ways. In a first theatrical sense, I will point out the similarities and differences between the Portuguese Auto and the imitations and sequels of La Celestina. From the point of view of the history of reading, I will highlight the influence that reading has on the protagonist's behaviour. And from an iconographic perspective, I will relate some passages of the Auto to the celestinesque iconsphere and visual culture at the time. |
| first_indexed | 2024-03-08T07:37:57Z |
| format | Article |
| id | doaj.art-41530d442f31412da97427b386e2a121 |
| institution | Directory Open Access Journal |
| issn | 0147-3085 2695-7183 |
| language | English |
| last_indexed | 2024-03-08T07:37:57Z |
| publishDate | 2021-01-01 |
| publisher | Universidad de Valencia, Departamento de Filología Española |
| record_format | Article |
| series | Celestinesca |
| spelling | doaj.art-41530d442f31412da97427b386e2a1212024-02-02T18:18:27ZengUniversidad de Valencia, Departamento de Filología EspañolaCelestinesca0147-30852695-71832021-01-01430335810.7203/Celestinesca.43.2023814833<i>Guiomar do Porto</i> or reading without losing the threadManuel Calderón CalderónThe Auto de Guiomar do Porto must be placed at crossroads of the Renaissance Auto and the sequels of the Tragicomedy of Fernando de Rojas. My analysis is based on the concept of «representation», understood in three different ways. In a first theatrical sense, I will point out the similarities and differences between the Portuguese Auto and the imitations and sequels of La Celestina. From the point of view of the history of reading, I will highlight the influence that reading has on the protagonist's behaviour. And from an iconographic perspective, I will relate some passages of the Auto to the celestinesque iconsphere and visual culture at the time.https://ojs.uv.es/index.php/celestinesca/article/view/20238auto de guiomar do portocelestinateatro portugués del siglo xviiconografía |
| spellingShingle | Manuel Calderón Calderón <i>Guiomar do Porto</i> or reading without losing the thread Celestinesca auto de guiomar do porto celestina teatro portugués del siglo xvi iconografía |
| title | <i>Guiomar do Porto</i> or reading without losing the thread |
| title_full | <i>Guiomar do Porto</i> or reading without losing the thread |
| title_fullStr | <i>Guiomar do Porto</i> or reading without losing the thread |
| title_full_unstemmed | <i>Guiomar do Porto</i> or reading without losing the thread |
| title_short | <i>Guiomar do Porto</i> or reading without losing the thread |
| title_sort | i guiomar do porto i or reading without losing the thread |
| topic | auto de guiomar do porto celestina teatro portugués del siglo xvi iconografía |
| url | https://ojs.uv.es/index.php/celestinesca/article/view/20238 |
| work_keys_str_mv | AT manuelcalderoncalderon iguiomardoportoiorreadingwithoutlosingthethread |