Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira

This paper aims to approach cinema, philosophy, and pedagogy from a double perspective: from the work of the Portuguese filmmaker, Manoel de Oliveira, and from the philosophical praxis of Gilles Deleuze. When Oliveira saw the public lecture that Deleuze gave in 1987 at La Fémis, he felt challenged b...

Full description

Bibliographic Details
Main Author: Susana Viegas
Format: Article
Language:English
Published: University of Pittsburgh 2014-10-01
Series:CINEJ Cinema Journal
Subjects:
Online Access:http://cinej.pitt.edu/ojs/index.php/cinej/article/view/96
_version_ 1818602049422491648
author Susana Viegas
author_facet Susana Viegas
author_sort Susana Viegas
collection DOAJ
description This paper aims to approach cinema, philosophy, and pedagogy from a double perspective: from the work of the Portuguese filmmaker, Manoel de Oliveira, and from the philosophical praxis of Gilles Deleuze. When Oliveira saw the public lecture that Deleuze gave in 1987 at La Fémis, he felt challenged by the philosopher's words and wrote him a letter in 1991. Furthermore, Deleuze referred to Oliveira’s films as one of the “greatest pedagogies”. Cinema was then seen as a new cartography to the philosophical plane contributing to a mutually reciprocal movement between cinema and philosophy. In this sense, the encounters between cinema and philosophy as well as the connection between cinematic images and philosophical concepts, will be the theme of this essay.
first_indexed 2024-12-16T13:01:06Z
format Article
id doaj.art-4156f1378cef4d38b3aa417e44ff7667
institution Directory Open Access Journal
issn 2159-2411
2158-8724
language English
last_indexed 2024-12-16T13:01:06Z
publishDate 2014-10-01
publisher University of Pittsburgh
record_format Article
series CINEJ Cinema Journal
spelling doaj.art-4156f1378cef4d38b3aa417e44ff76672022-12-21T22:30:51ZengUniversity of PittsburghCINEJ Cinema Journal2159-24112158-87242014-10-0132344810.5195/cinej.2014.9671Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de OliveiraSusana Viegas0Universidade Nova de LisboaThis paper aims to approach cinema, philosophy, and pedagogy from a double perspective: from the work of the Portuguese filmmaker, Manoel de Oliveira, and from the philosophical praxis of Gilles Deleuze. When Oliveira saw the public lecture that Deleuze gave in 1987 at La Fémis, he felt challenged by the philosopher's words and wrote him a letter in 1991. Furthermore, Deleuze referred to Oliveira’s films as one of the “greatest pedagogies”. Cinema was then seen as a new cartography to the philosophical plane contributing to a mutually reciprocal movement between cinema and philosophy. In this sense, the encounters between cinema and philosophy as well as the connection between cinematic images and philosophical concepts, will be the theme of this essay.http://cinej.pitt.edu/ojs/index.php/cinej/article/view/96Gilles Deleuze, Manoel de Oliveira, Cinematic Pedagogy, Philosophy of Film, Portuguese Cinema
spellingShingle Susana Viegas
Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira
CINEJ Cinema Journal
Gilles Deleuze, Manoel de Oliveira, Cinematic Pedagogy, Philosophy of Film, Portuguese Cinema
title Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira
title_full Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira
title_fullStr Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira
title_full_unstemmed Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira
title_short Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira
title_sort towards a singular cinematic pedagogy gilles deleuze and manoel de oliveira
topic Gilles Deleuze, Manoel de Oliveira, Cinematic Pedagogy, Philosophy of Film, Portuguese Cinema
url http://cinej.pitt.edu/ojs/index.php/cinej/article/view/96
work_keys_str_mv AT susanaviegas towardsasingularcinematicpedagogygillesdeleuzeandmanoeldeoliveira