The image of the body-face: The case of Franz X. Messerschmidt and Bill Viola
In this paper, I am predominantly interested in interpretations of emotional states portrayed in images of the face. In particular, the interpretations which have grown around the series of busts by Franz Xaver Messerschmidt, as well as those which attempt to expound Bill Viola’s video works. I will...
Main Author: | Maria POPCZYK |
---|---|
Format: | Article |
Language: | deu |
Published: |
Pedagogical University of Krakow
2015-06-01
|
Series: | Argument |
Online Access: | http://argumentwp.vipserv.org/wp-content/uploads/2015/pdfv5n1/argument_v5_n1_Popczyk.pdf |
Similar Items
-
Narrare, cancellare, mostrare: il corpo del martire secondo Bill Viola [Narrating, erasing, showing: the martyr's body according to Bill Viola]
by: Giusy Gallo
Published: (2022-12-01) -
Bill Viola ou l’image sans représentation
by: Chiara Cappelletto
Published: (2011-04-01) -
DISCOVERIES MADE BY D. G. MESSERSCHMIDT ON THE RIVER TOM BENCH IN 1721
by: I. V. Kovtun
Published: (2014-02-01) -
Bill Viola’s figures of submersion as techniques of transindividual affect
by: Elena del Río
Published: (2022-07-01) -
On Michel Yonan, Messerschmidt’s Character Heads, Maddening Sculpture and the Writing of Art History
by: Axel Christoph Gampp
Published: (2018-06-01)