L’iconoclasme en 3D : conserver les traces de l’Estallido social sur le monument à Baquedano. Santiago du Chili (2019-2021)

Since October 2019, Plaza Baquedano in Santiago has been the scene of the major events of the Chilean protests. The statue of General Baquedano, which stands in the centre of the square, became a target and an emblem of the popular uprisings. Its numerous reappropriat...

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Main Author: Yann Seyeux
Format: Article
Language:English
Published: Centre de Recherches sur les Mondes Américains 2023-10-01
Series:Nuevo mundo - Mundos Nuevos
Subjects:
Online Access:https://journals.openedition.org/nuevomundo/93519
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author Yann Seyeux
author_facet Yann Seyeux
author_sort Yann Seyeux
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description Since October 2019, Plaza Baquedano in Santiago has been the scene of the major events of the Chilean protests. The statue of General Baquedano, which stands in the centre of the square, became a target and an emblem of the popular uprisings. Its numerous reappropriations by protesters, especially in the cyberspace, illustrate a new form of reclamation of public space in the digital age. In this way, the 3D reconstructions of the monument created by the members of the Antes del Olvido collective show an alternative and committed reality of the uprising.
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spelling doaj.art-41a0385fedac4ca783849b1df9e03be52024-02-14T16:45:50ZengCentre de Recherches sur les Mondes AméricainsNuevo mundo - Mundos Nuevos1626-02522023-10-0110.4000/nuevomundo.93519L’iconoclasme en 3D : conserver les traces de l’Estallido social sur le monument à Baquedano. Santiago du Chili (2019-2021)Yann SeyeuxSince October 2019, Plaza Baquedano in Santiago has been the scene of the major events of the Chilean protests. The statue of General Baquedano, which stands in the centre of the square, became a target and an emblem of the popular uprisings. Its numerous reappropriations by protesters, especially in the cyberspace, illustrate a new form of reclamation of public space in the digital age. In this way, the 3D reconstructions of the monument created by the members of the Antes del Olvido collective show an alternative and committed reality of the uprising.https://journals.openedition.org/nuevomundo/93519ChileChilean protestsAntes del OlvidoBaquedano3D
spellingShingle Yann Seyeux
L’iconoclasme en 3D : conserver les traces de l’Estallido social sur le monument à Baquedano. Santiago du Chili (2019-2021)
Nuevo mundo - Mundos Nuevos
Chile
Chilean protests
Antes del Olvido
Baquedano
3D
title L’iconoclasme en 3D : conserver les traces de l’Estallido social sur le monument à Baquedano. Santiago du Chili (2019-2021)
title_full L’iconoclasme en 3D : conserver les traces de l’Estallido social sur le monument à Baquedano. Santiago du Chili (2019-2021)
title_fullStr L’iconoclasme en 3D : conserver les traces de l’Estallido social sur le monument à Baquedano. Santiago du Chili (2019-2021)
title_full_unstemmed L’iconoclasme en 3D : conserver les traces de l’Estallido social sur le monument à Baquedano. Santiago du Chili (2019-2021)
title_short L’iconoclasme en 3D : conserver les traces de l’Estallido social sur le monument à Baquedano. Santiago du Chili (2019-2021)
title_sort l iconoclasme en 3d conserver les traces de l estallido social sur le monument a baquedano santiago du chili 2019 2021
topic Chile
Chilean protests
Antes del Olvido
Baquedano
3D
url https://journals.openedition.org/nuevomundo/93519
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