Images of the unimaginable: photography and the (re)presentation of the event

We seem to live in a time of omnipresent images. Guy Debord’s diagnosis about the becoming image of reality pronounced in the late 1960s still seems to be relevant to describe our time. We have reached the point when it is not surprising to have images of the extraordinary but not having them. The...

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Main Authors: Sergio Roncallo, Juan Carlos Arias
Format: Article
Language:Spanish
Published: Universidade Estadual de Londrina 2013-04-01
Series:Discursos Fotográficos
Online Access:https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13122
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author Sergio Roncallo
Juan Carlos Arias
author_facet Sergio Roncallo
Juan Carlos Arias
author_sort Sergio Roncallo
collection DOAJ
description We seem to live in a time of omnipresent images. Guy Debord’s diagnosis about the becoming image of reality pronounced in the late 1960s still seems to be relevant to describe our time. We have reached the point when it is not surprising to have images of the extraordinary but not having them. The connection between extraordinary events and images seems natural today. However, it could be still legitimate to ask what can images do regarding those events? What can photography do when facing the unimaginable? In this text, we would like to present three cases that could serve, and actually have been used, to reply this inquiry about the possible relation between photography and the event.
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spelling doaj.art-41b58d3f1d4e499ba8385cce7a89a31d2023-01-24T20:17:23ZspaUniversidade Estadual de LondrinaDiscursos Fotográficos1808-56521984-79392013-04-0191410.5433/1984-7939.2013v9n14p141Images of the unimaginable: photography and the (re)presentation of the eventSergio Roncallo0Juan Carlos Arias1Universidad de La SabanaPontificia Universidad Javeriana We seem to live in a time of omnipresent images. Guy Debord’s diagnosis about the becoming image of reality pronounced in the late 1960s still seems to be relevant to describe our time. We have reached the point when it is not surprising to have images of the extraordinary but not having them. The connection between extraordinary events and images seems natural today. However, it could be still legitimate to ask what can images do regarding those events? What can photography do when facing the unimaginable? In this text, we would like to present three cases that could serve, and actually have been used, to reply this inquiry about the possible relation between photography and the event. https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13122
spellingShingle Sergio Roncallo
Juan Carlos Arias
Images of the unimaginable: photography and the (re)presentation of the event
Discursos Fotográficos
title Images of the unimaginable: photography and the (re)presentation of the event
title_full Images of the unimaginable: photography and the (re)presentation of the event
title_fullStr Images of the unimaginable: photography and the (re)presentation of the event
title_full_unstemmed Images of the unimaginable: photography and the (re)presentation of the event
title_short Images of the unimaginable: photography and the (re)presentation of the event
title_sort images of the unimaginable photography and the re presentation of the event
url https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13122
work_keys_str_mv AT sergioroncallo imagesoftheunimaginablephotographyandtherepresentationoftheevent
AT juancarlosarias imagesoftheunimaginablephotographyandtherepresentationoftheevent