Economia politica dello spettacolo nella Lettre à d’Alembert

In his answer to d’Alembert’s article on Geneva published in the Encyclopédie, Rousseau discusses the traditional platonic problem of mimesis and moral justification of dramatic performances in order to reject the project of establishing a theatre in the small Swiss republic. In this paper, the auth...

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Main Author: Jean-Patrice Courtois
Format: Article
Language:Spanish
Published: University of Bologna 2013-12-01
Series:Montesquieu.it
Subjects:
Online Access:https://montesquieu.unibo.it/article/view/5172
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author Jean-Patrice Courtois
author_facet Jean-Patrice Courtois
author_sort Jean-Patrice Courtois
collection DOAJ
description In his answer to d’Alembert’s article on Geneva published in the Encyclopédie, Rousseau discusses the traditional platonic problem of mimesis and moral justification of dramatic performances in order to reject the project of establishing a theatre in the small Swiss republic. In this paper, the author shows how strictly this problem was connected to a political one according to Rousseau’s way of thinking: in a democratic nation, citizens’ good morals must be preserved from the corruptive power of theatre in so far as it implies the introduction of idleness, bad emulation, and a liking for ostentation. Finally, the author stresses the fundamental importance Rousseau attaches, on the contrary, to civic feasts for maintenance of public good morals.
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spelling doaj.art-41f813eef9b04013ada2d265f4cbd3802022-12-22T02:06:39ZspaUniversity of BolognaMontesquieu.it2421-41242013-12-015110.6092/issn.2421-4124/51724739Economia politica dello spettacolo nella Lettre à d’AlembertJean-Patrice Courtois0Università di Paris VIIIn his answer to d’Alembert’s article on Geneva published in the Encyclopédie, Rousseau discusses the traditional platonic problem of mimesis and moral justification of dramatic performances in order to reject the project of establishing a theatre in the small Swiss republic. In this paper, the author shows how strictly this problem was connected to a political one according to Rousseau’s way of thinking: in a democratic nation, citizens’ good morals must be preserved from the corruptive power of theatre in so far as it implies the introduction of idleness, bad emulation, and a liking for ostentation. Finally, the author stresses the fundamental importance Rousseau attaches, on the contrary, to civic feasts for maintenance of public good morals.https://montesquieu.unibo.it/article/view/5172RousseauLettre à d’Alemberttheatremimesiscivic feast
spellingShingle Jean-Patrice Courtois
Economia politica dello spettacolo nella Lettre à d’Alembert
Montesquieu.it
Rousseau
Lettre à d’Alembert
theatre
mimesis
civic feast
title Economia politica dello spettacolo nella Lettre à d’Alembert
title_full Economia politica dello spettacolo nella Lettre à d’Alembert
title_fullStr Economia politica dello spettacolo nella Lettre à d’Alembert
title_full_unstemmed Economia politica dello spettacolo nella Lettre à d’Alembert
title_short Economia politica dello spettacolo nella Lettre à d’Alembert
title_sort economia politica dello spettacolo nella lettre a d alembert
topic Rousseau
Lettre à d’Alembert
theatre
mimesis
civic feast
url https://montesquieu.unibo.it/article/view/5172
work_keys_str_mv AT jeanpatricecourtois economiapoliticadellospettacolonellalettreadalembert