Returning to Another Black Darkness

This article foregrounds a specific, memorable reading of the photobook Another Black Darkness by Sakiko Nomura to unravel the different socio-political agencies of objects and environments that configure how we interpret and understand photobooks, as individual creative works, and as a medium in ge...

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Main Author: Briony Anne Carlin
Format: Article
Language:English
Published: Centre for Comparative Studies 2022-12-01
Series:Compendium
Subjects:
Online Access:https://compendium.letras.ulisboa.pt/index.php/compendium/article/view/48
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author Briony Anne Carlin
author_facet Briony Anne Carlin
author_sort Briony Anne Carlin
collection DOAJ
description This article foregrounds a specific, memorable reading of the photobook Another Black Darkness by Sakiko Nomura to unravel the different socio-political agencies of objects and environments that configure how we interpret and understand photobooks, as individual creative works, and as a medium in general. It demonstrates a ‘methodology of encounter’ that revisits an autoethnographic response written in 2018 to critique the ways that materiality, place, positionality, coincidence and time configure certain experiential knowledges that are situated in time and place. Repeat readings of the book and the original text uncover deeper analysis of these entangled affects. Photobooks are produced in multiple, and can be found in many different environments, with different rules of engagement, so it is necessary to develop a critical understanding of the medium that can account for this plurality of encounter. Through focusing on performative, relational moments of meaning-making with photobooks, the article links substance with significance, or, “matter and mattering” (Barad), and shows distinct, experiential capabilities of the photobook as an artistic form.
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spelling doaj.art-424d68fbcbb14453b498aa49dd4c78dc2023-12-24T00:15:46ZengCentre for Comparative StudiesCompendium2975-80252022-12-01210.51427/com.jcs.2022.0016Returning to Another Black DarknessBriony Anne Carlin0Newcastle UniversityThis article foregrounds a specific, memorable reading of the photobook Another Black Darkness by Sakiko Nomura to unravel the different socio-political agencies of objects and environments that configure how we interpret and understand photobooks, as individual creative works, and as a medium in general. It demonstrates a ‘methodology of encounter’ that revisits an autoethnographic response written in 2018 to critique the ways that materiality, place, positionality, coincidence and time configure certain experiential knowledges that are situated in time and place. Repeat readings of the book and the original text uncover deeper analysis of these entangled affects. Photobooks are produced in multiple, and can be found in many different environments, with different rules of engagement, so it is necessary to develop a critical understanding of the medium that can account for this plurality of encounter. Through focusing on performative, relational moments of meaning-making with photobooks, the article links substance with significance, or, “matter and mattering” (Barad), and shows distinct, experiential capabilities of the photobook as an artistic form.https://compendium.letras.ulisboa.pt/index.php/compendium/article/view/48New Materialismautoethnographyways of knowinglibrarySakiko Nomura
spellingShingle Briony Anne Carlin
Returning to Another Black Darkness
Compendium
New Materialism
autoethnography
ways of knowing
library
Sakiko Nomura
title Returning to Another Black Darkness
title_full Returning to Another Black Darkness
title_fullStr Returning to Another Black Darkness
title_full_unstemmed Returning to Another Black Darkness
title_short Returning to Another Black Darkness
title_sort returning to another black darkness
topic New Materialism
autoethnography
ways of knowing
library
Sakiko Nomura
url https://compendium.letras.ulisboa.pt/index.php/compendium/article/view/48
work_keys_str_mv AT brionyannecarlin returningtoanotherblackdarkness