Le regie goldoniane di Renato Simoni (1936-1947)
<p>The study aims to reconstruct Renato Simoni’s stage directing investigated through the analysis of the outdoor Goldonian performances set up for the Festival of Venice in the years 1936-1947. These exceptional events employed top level dramatic artists. Simoni was one of the first directors...
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Format: | Article |
Language: | English |
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Firenze University Press
2016-06-01
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Series: | Drammaturgia |
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Online Access: | http://www.fupress.net/index.php/drammaturgia/article/view/18381 |
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author | Adela Gjata |
author_facet | Adela Gjata |
author_sort | Adela Gjata |
collection | DOAJ |
description | <p>The study aims to reconstruct Renato Simoni’s stage directing investigated through the analysis of the outdoor Goldonian performances set up for the Festival of Venice in the years 1936-1947. These exceptional events employed top level dramatic artists. Simoni was one of the first directors who responsibly exercises his professional function, a profession that struggled to settle in the national theater system. His directing, built on an idea centred on the text, according to Silvio d’Amico’s teaching, is based on a very accurate playwriting, that aims to revalue the Italian drama in its best acting tradition. Simoni never reached a tradition-breaking linguistic innovation, but achieved the connection between the word and the image, that will be a cornerstone of the critical stage directing after World War II.</p> |
first_indexed | 2024-04-13T23:48:51Z |
format | Article |
id | doaj.art-42bf17b1c7dc42f3a00f67b46929bd95 |
institution | Directory Open Access Journal |
issn | 1122-9365 2283-5644 |
language | English |
last_indexed | 2024-04-13T23:48:51Z |
publishDate | 2016-06-01 |
publisher | Firenze University Press |
record_format | Article |
series | Drammaturgia |
spelling | doaj.art-42bf17b1c7dc42f3a00f67b46929bd952022-12-22T02:24:12ZengFirenze University PressDrammaturgia1122-93652283-56442016-06-0112229130810.13128/Drammaturgia-1838115316Le regie goldoniane di Renato Simoni (1936-1947)Adela Gjata<p>The study aims to reconstruct Renato Simoni’s stage directing investigated through the analysis of the outdoor Goldonian performances set up for the Festival of Venice in the years 1936-1947. These exceptional events employed top level dramatic artists. Simoni was one of the first directors who responsibly exercises his professional function, a profession that struggled to settle in the national theater system. His directing, built on an idea centred on the text, according to Silvio d’Amico’s teaching, is based on a very accurate playwriting, that aims to revalue the Italian drama in its best acting tradition. Simoni never reached a tradition-breaking linguistic innovation, but achieved the connection between the word and the image, that will be a cornerstone of the critical stage directing after World War II.</p>http://www.fupress.net/index.php/drammaturgia/article/view/18381Renato SimoniCarlo GoldoniDirectionTheater FestivalBiennale of Venice |
spellingShingle | Adela Gjata Le regie goldoniane di Renato Simoni (1936-1947) Drammaturgia Renato Simoni Carlo Goldoni Direction Theater Festival Biennale of Venice |
title | Le regie goldoniane di Renato Simoni (1936-1947) |
title_full | Le regie goldoniane di Renato Simoni (1936-1947) |
title_fullStr | Le regie goldoniane di Renato Simoni (1936-1947) |
title_full_unstemmed | Le regie goldoniane di Renato Simoni (1936-1947) |
title_short | Le regie goldoniane di Renato Simoni (1936-1947) |
title_sort | le regie goldoniane di renato simoni 1936 1947 |
topic | Renato Simoni Carlo Goldoni Direction Theater Festival Biennale of Venice |
url | http://www.fupress.net/index.php/drammaturgia/article/view/18381 |
work_keys_str_mv | AT adelagjata leregiegoldonianedirenatosimoni19361947 |